animals

The Magical Meaning and Symbolism of Frogs

If you’re tired of bugs, you’re in luck! This week, we’re taking a look at frog symbolism.

A green tree frog, clinging to a metal post under a path light. Some purple asters are visible in the background.

My Handsome Assistant and I went for a walk the other day. It was late in the afternoon, and the weather was perfect for a little stroll to see if the leaves had started changing in earnest yet. While we didn’t see much autumn color yet (which is to be expected, as leaves change a bit later year by year), we did see something else that was pretty cool — a little green tree frog!

He’d camped himself out just under the glow of a path light. It was an ingenious move, since it gave him a virtually all-you-can-eat buffet of bugs attracted to the glow. He held still while we did a little amphibian photoshoot, with a backdrop of asters.

Frog symbolism is one of the most ancient and enduring features of civilizations around the world. According to The Book of Symbols, “[f]igures with a frog’s body and a woman’s face and genitalia have been found dating to as long ago as 6000 BCE, suggesting that the notion of a frog goddess is extremely ancient.” The book also notes that there are similarities in the posture of a human giving birth and a frog sitting.

The above similarity may be part of why frogs are sacred to the Egyptian goddess Heqet, a Goddess of Fertility. Frog symbolism is also rooted in the yearly flooding of the Nile, when the water (and nutrient-rich silt it brought with it) brought greater fertility to the land. Frogs also reproduce in water, depositing their eggs either in the water directly, or on leaves where their spawn can easily fall into water upon hatching.
Interestingly, Heqet may be the origin of the name of the Greek Goddess of Witchcraft, Hecate.

Southward, in South Africa, the ǀXam-ka ǃʼē people had traditions surrounding frogs and menstrual seclusion. The frog deity !Kwah was said to watch over women and girls during this time. If any were to defy this deity and leave seclusion, they and their families would be turned into frogs.

green and white frog resting on brown tree branch
Photo by Pixabay on Pexels.com

In Mayan culture, frogs were rainmakers. They held an important role in the story of Kumix, a deity of maize, the sun, and rain. In some versions, they act as directional rain deities that reside on mountains. Here, again, is a connection between frogs and life-giving water — however, rather than the flooding of the Nile, the water comes from rain.
In Diné legend, frog symbolism is also associated with the cardinal directions. In the story of the creation and destruction of the First World (which we mentioned in the post about wasps), Frog lived in the sea to the west. Frog was also one of the creatures who became upset when the world grew crowded and chaotic.

In Hindu legends, frogs are associated with the sun. Bheki is a frog that represents the sun on the horizon. It’s said that Bheki was originally a beautiful woman. A king fell in love with her, and she agreed to marry him on one condition: He must never, ever show her a single drop of water. One day, Bheki grew tired and asked for a drink. Her husband brought her water, and she sank out of sight like the sun beneath the water.

vibrant red eyed tree frog on leaf
Photo by Ivan Rojas on Pexels.com

In feng shui, the Jin Chan (金蟾) is a charm for prosperity. Often translated as “money frog” or “money toad,” it is most commonly represented as a bullfrog with two forelegs and one hind leg, seated on a pile of coins with another coin in its mouth. This charm is said to protect against bad luck and help draw wealth into the household. For this reason, it shouldn’t be placed facing an exterior door, or in the bathroom or kitchen (where water flows out of the house).
While the connection between frog symbolism and water isn’t really explicit here, there are connections between fertility and prosperity through the concept of multiplying one’s desires or good fortune. In Egypt, the Nile floods, and the land’s fertility brings prosperity. In Meso- and South America, rain brings fertility to the land, and the land’s abundance brings prosperity.
In Chinese mythology, the Jin Chan is also connected to the moon — it’s said to appear on a full moon, near homes and businesses that are about to experience positive financial news. As the moon is also intimately connected to water through the tides, this may be another frog-to-water-to-prosperity connection.

Given the ubiquity of frog symbolism in myth and legend, it’s next to impossible to recount all of them here. Fortunately, a number of common threads arise with just a little bit of scrutiny. Frogs reproduce in water and are active where water is abundant. They’re thus connected to fresh, life-giving water, rain, and the fertility of the land. Through this, it’s also possible to see connections to abundance, prosperity, and fertility in general.

Sometimes, frogs also play key roles in the creation of people or civilization. This is particularly interesting, because it often involves a transformation in either direction. In Myanmar, the Va people believed that their ancient ancestors were two tadpoles that grew into frogs, and eventually into ogres. These ogres consumed all kinds of animals until, one day, they ate humans. From that day forth, they were able to reproduce and create human offspring — the ancestors of the Va.
On the other hand, in Vietnam, Bahnar legend tells that a human became a frog and ascended to the heavens to become a God of Agriculture.

photo of green frog on leaf
Photo by Lexo Salazar on Pexels.com

On the other hand, frog symbolism isn’t always positive or life-giving. In Christian mythology, frogs are one of the plagues of Egypt and spew forth from the mouths of monsters.
Frogs are also common fodder for witchcraft folklore. How many times have you heard stories of witches turning someone into a frog or toad? Even children’s tales like The Frog Prince revolve around such a transformation. You can see this reflected in modern media, too — ask anyone who’s ever played one of the older Final Fantasy games. Getting turned into a frog in the middle of a battle sucks.

Through their connection to water (and their own abundant procreation), frogs are tied to fertility. This isn’t just the fertility of animals and humans, but of the land itself.

Frog symbolism is also connected to cleansing, renewal, or purification. This is through frogs’ connection to water, but also because of their unique biology: Frog skin is a respiratory surface. It’s very permeable, and very susceptible to damage from imbalances in water chemistry. Frogs can’t thrive where things are dirty, and they are one of the “canaries in the coal mine” for water pollution.

Macro photography of green frog in water. Frog symbolism is closely connected to cleanliness, purity, and renewal because of their connection to water.
Photo by Pixabay on Pexels.com

Frogs also represent transformation, of a variety of types. There’s the very obvious transformation from egg, to tadpole, to froglet, to frog, but there’s also more subtle, alchemmical ideas at play. As The Book of Symbols explains,

In dreams and fairy tales the frog arrives, quite suddenly, out of water somewhere, just as an aspect (often princely) of self-substance emerges from the waters of the unconscious, but is not yet in fully conscious, recognizable form. In many such fairy tales, this fertile little being from the watery regions must be accepted and attended to in its frog form, however unattractive or odd it may seem, and inevitably it transforms into the soulful prince or princess.”

Dreaming of frogs is said to herald a change or transformation. If the frog catches a bug, it symbolizes seizing an opportunity. If you eat the frog, it represents an unpleasant task that needs doing.
On the other hand, seeing leaping frogs can represent an inability to commit to a person, idea, or situation.

Frogs are one of our longest-enduring symbols, and frog symbolism is present in everything from creation myths to children’s tales and poems. Not only do these creatures help keep pest populations in check, they’re also powerful symbols of renewal, transformation, fertility, and prosperity.

animals

The Magical Meaning and Symbolism of Wasps

Last week was spiders, this week we’re doing the magical meaning and symbolism of wasps.

Why wasps?

In temperate climates, late summer and early autumn when many wasps (the eusocial ones, at least) start losing direction. Like kids on spring break, they no longer have the structure they once did — the nest is likely done producing larvae, the newly-created queens are getting ready to hibernate, and the wasply lifecycle comes to a close to start back up in spring. This means that the workers, if they haven’t died already, are about to.

The lack of larvae to raise also means that the wasps’ dietary habits shift. Where babies need protein in order to grow big and strong (and adequate protein is so important, worker wasps have been observed shoving drones into lockers in order to make sure that the larvae eat first), the workers have already done all the growing they’re going to do. They don’t need a high protein diet; they need carbs for energy. This often puts them in conflict with humans, as sugar sources start to wind down a bit this time of year and humans are generally a veritable bonanza of sugary treats.

A close-up of a wasp's face.
This one’s weirdly cute. Photo by David Hablu00fctzel on Pexels.com

So, if you’re noticing larger numbers of more aggressive wasps than usual, that’s probably why. They’re hungry, and they’re on a kind of wasply rumspringa. Don’t worry, though — they won’t be around much longer. It’ll get cold, the workers will die off, the queens will hibernate, et fin.

Right now, we have a wasp nest beneath a tree stump. We considered removing it, but it’s late enough that nature will take its course pretty soon, and then we can fill in the cavity to keep anyone else from setting up shop.

In honor of the last of the summer’s wasps, here are various bits of folklore, mythology, magical properties, and the symbolism of wasps.

Insects feature pretty frequently in Japanese folklore and mythology, wasps included. In one story, the deity Susanoo-mikoto ordered his son-in-law, Ôkuninushino-kami, to sleep in a room infested with wasps and centipedes. Fortunately, Suseribimeno-mikoto, his wife, gives him an insect-repelling cloth to protect him.

One of the plays of Aristophanes, an ancient Greek playwright, is titled The Wasps. In it, the titular wasps are a group of jurors. Bdelycleon, son of Philocleon, has imprisoned his father after many, many unsuccessful treatments for Philocleon’s seeming addiction to trials. When the jurors (Philocleon’s comrades) learn of his imprisonment, they swarm Bdelycleon like wasps. Bdelycleon eventually gives in, and turns the house into a “courtroom” where his father can judge household disputes.

In Boticelli’s painting Venus and Mars, there’s a small wasp nest far to the right, near Mars’ head. Wasps are associated with Mars (and his Greek counterpart, Ares) as animals that are considered aggressive or warlike, but this may not be why Boticelli chose to include them. The painting may have been commissioned by the Vespucci family (from the Italian “vespa,” or “wasp”), and the inclusion of the wasp nest may have been a nod to that.

Detail from Botticelli's Venus and Mars, showing Mars' face and an adjacent wasp nest.

Ichneumon wasps, a family of parasitoid wasps, were also instrumental in strengthening Charles Darwin’s doubts about the existence of a benevolent creator:

I cannot persuade myself that a beneficent and omnipotent God would have designedly created the Ichneumonidae with the express intention of their feeding within the living bodies of caterpillars[.]

I have seen multiple references to wasps as sacred animals in Indigenous American cultures, but haven’t found many specific examples of this — particularly examples sourced from Indigenous peoples themselves. This isn’t to say that this isn’t true, but any references to wasps as sacred, totemic, or spirit animals in generic “Native American” culture should be taken with a grain of salt. (North America is kind of a huge place.)
One specific story comes from the Diné people and tells the story of the First World — known as Ni’hodilhil, the Dark or Black World. This was a black place surrounded by four cloud columns: Black Night to the north, White Dawn to the east, Blue Daylight to the south, and Yellow Twilight to the west. The First Man, along with a perfect ear of white corn, was formed at the place where Black Night and White Dawn met. The First Woman, along with a perfect ear of yellow corn, was formed where Blue Daylight and Yellow Twilight met.
At that time, creatures did not have their present forms. They were as mists, but would one day become their present shapes.
In the story, the first man and first woman meet and live together. Gradually, other beings appear. First is Great-Coyote-Who-Was-Formed-in-the-Water, who hatched from an egg and knew all that went on under the water. Second was another Coyote, First Angry, who insisted that he had been born first, and brought witchcraft into the world. After that, four more beings appeared. They were the Wasp People, and they knew how shoot and harm others. They were followed by the Red Ants, the Black Ants, and many others, until the world became crowded and was full of arguing.
Eventually, the Gods became angry and the occupants of the First World were forced to leave. The First Man planted a reed in the east, which grew tall and strong. The First Man, First Woman, and all of the other creatures of the world climbed up it to safety, to the Second World.

A black and yellow wasp on a white flower.
Photo by Pixabay on Pexels.com

Ahti, a little-known Egyptian deity, was represented as a hippopotamus with the head of a wasp. Not much is known about her, though her interesting composition has led some scholars to associate her with chaos, disorder, and spite.

In Hindu mythology, wasps are associated with Bhramari — the goddess of bees. Bees, wasps, hornets, spiders, termites, mosquitoes, and biting flies cling to her body, and she could send them out to attack for her. In the tenth book of the Devi Bhagavata Purana, there is a powerful asura named Aruna. He performs a penance to Brahma, and, in return, Brahma makes it so Aruna cannot be killed in war by any man, woman, weapon, bipedal creature, quadrupedal creature, or any combination thereof. Feeling suitably overpowered, Aruna called on other beings to attack the devas. He nearly succeeded in beating them, too, until Adi Parashakti appeared and began releasing bees from her hands. Calmly, she continued releasing insects that clung to her body, making her larger and larger and creating the divine form of Bhramari.
When all of Aruna’s army had been defeated except him, she released her insects upon him to tear him limb from limb. This story is especially interesting because the warlike symbolism of wasps is still present, but used in a defensive, benevolent sense.

John Gerard, a sixteenth century herbalist, had a method of tree divination using acorns. The technique involved finding an acorn at a specific time of year (likely autumn), breaking it open, and examining the contents:

  • If there was an ant inside, there’d be an abundant harvest in the coming year.
  • On the other hand, a worm that attempts to crawl away means a light harvest.
  • A spider was a harbinger of pestilence for humans.
  • A white worm was a harbinger of pestilence for animals.
  • If the worm thrashed and turned away, however, it meant the plague.
  • If there was a worm that “flew away” (perhaps by growing into an adult knopper gall wasp), it foretold war.
A wasp climbing on a mossy stick.
Photo by Pixabay on Pexels.com

Some modern witches use deceased wasps as an ingredient in banishing or protective powders. Combine them with ingredients like salt, hot pepper, and garlic, and grind to a fine powder. Use to dress candles, sprinkle around borders, et cetera.

The symbolism of wasps generally revolves around war, arguments, and violence. This is probably undeserved, as there are plenty of non-aggressive wasp species. (I mean, I woke up the other day with a little ichneumon wasp crawling on my leg. She was tiny, harmless, and seemed at least as confused as I was, considering both of us were A) in a bed and B) under a blanket.)

Wasps’ connection to violence isn’t always unjustified, however. These creatures, and stinging insects in general, also frequently represent punishment and wrath. Even in the story of Bhramari, where wasps are part of the insect army that eventually defeat Aruna, they are part of the righteous, defensive wrath of the goddess.

They’re also symbols of strictly enforced boundaries and protection.

On the other hand, the symbolism of wasps in dreams is linked to evil and negative emotions. Dreams of being stung by a wasp may indicate envy. Killing a wasp in a dream represents bravery in overcoming the negativity or malicious actions of others.

Are wasps aggressive? They certainly can be, but this isn’t directionless aggression. In reality, they’re very protective. The trouble is, it’s often difficult for humans to tell where our territory ends and theirs begins, which frequently brings us into conflict. Still, wasps perform very important functions as pollinators and predators of pest insects, so it’s worth learning about your local wasp species and finding ways to coexist whenever possible.
Sometimes that long “stinger” is just an ovipositor, and that wasp is on the way to take care of your garden for you!

animals

The Magical Meaning of Wasps

Last week was spiders, this week we’re doing wasps.

Why wasps?

In temperate climates, late summer and early autumn when many wasps (the eusocial ones, at least) start losing direction. Like kids on spring break, they no longer have the structure they once did — the nest is likely done producing larvae, the newly-created queens are getting ready to hibernate, and the wasply lifecycle comes to a close to start back up in spring. This means that the workers, if they haven’t died already, are about to.

The lack of larvae to raise also means that the wasps’ dietary habits shift. Where babies need protein in order to grow big and strong (and adequate protein is so important, worker wasps have been observed shoving drones into lockers in order to make sure that the larvae eat first), the workers have already done all the growing they’re going to do. They don’t need a high protein diet; they need carbs for energy. This often puts them in conflict with humans, as sugar sources start to wind down a bit this time of year and humans are generally a veritable bonanza of sugary treats.

A close-up of a wasp's face.
Photo by David Hablu00fctzel on Pexels.com

So, if you’re noticing larger numbers of more aggressive wasps than usual, that’s probably why. They’re hungry, and they’re on a kind of wasply rumspringa. Don’t worry, though — they won’t be around much longer. It’ll get cold, the workers will die off, the queens will hibernate, et fin.

Right now, we have a wasp nest beneath a tree stump. We considered removing it, but it’s late enough that nature will take its course pretty soon, and then we can fill in the cavity to keep anyone else from setting up shop.

In honor of the last of the summer’s wasps, here are various bits of folklore, mythology, and magical properties associated with these creatures.

Insects feature pretty frequently in Japanese folklore and mythology, wasps included. In one story, the deity Susanoo-mikoto ordered his son-in-law, Ôkuninushino-kami, to sleep in a room infested with wasps and centipedes. Fortunately, Suseribimeno-mikoto, his wife, gives him an insect-repelling cloth to protect him.

One of the plays of Aristophanes, an ancient Greek playwright, is titled The Wasps. In it, the titular wasps are a group of jurors. Bdelycleon, son of Philocleon, has imprisoned his father after many, many unsuccessful treatments for Philocleon’s seeming addiction to trials. When the jurors (Philocleon’s comrades) learn of his imprisonment, they swarm Bdelycleon like wasps. Bdelycleon eventually gives in, and turns the house into a “courtroom” where his father can judge household disputes.

In Boticelli’s painting Venus and Mars, there’s a small wasp nest far to the right, near Mars’ head. Wasps are associated with Mars (and his Greek counterpart, Ares) as animals that are considered aggressive or warlike, but this may not be why Boticelli chose to include them. The painting may have been commissioned by the Vespucci family (from the Italian “vespa,” or “wasp”), and the inclusion of the wasp nest may have been a nod to that.

Detail from Botticelli's Venus and Mars, showing Mars' face and an adjacent wasp nest.

Ichneumon wasps, a family of parasitoid wasps, were also instrumental in strengthening Charles Darwin’s doubts about the existence of a benevolent creator:

I cannot persuade myself that a beneficent and omnipotent God would have designedly created the Ichneumonidae with the express intention of their feeding within the living bodies of caterpillars[.]

I have seen multiple references to wasps as sacred animals in Indigenous American cultures, but haven’t found many specific examples of this — particularly examples sourced from Indigenous peoples themselves. This isn’t to say that this isn’t true, but any references to wasps as sacred, totemic, or spirit animals in generic “Native American” culture should be taken with a grain of salt. (North America is kind of a huge place.)
One specific story comes from the Diné people and tells the story of the First World — known as Ni’hodilhil, the Dark or Black World. This was a black place surrounded by four cloud columns: Black Night to the north, White Dawn to the east, Blue Daylight to the south, and Yellow Twilight to the west. The First Man, along with a perfect ear of white corn, was formed at the place where Black Night and White Dawn met. The First Woman, along with a perfect ear of yellow corn, was formed where Blue Daylight and Yellow Twilight met.
At that time, creatures did not have their present forms. They were as mists, but would one day become their present shapes.
In the story, the first man and first woman meet and live together. Gradually, other beings appear. First is Great-Coyote-Who-Was-Formed-in-the-Water, who hatched from an egg and knew all that went on under the water. Second was another Coyote, First Angry, who insisted that he had been born first, and brought witchcraft into the world. After that, four more beings appeared. They were the Wasp People, and they knew how shoot and harm others. They were followed by the Red Ants, the Black Ants, and many others, until the world became crowded and was full of arguing.
Eventually, the Gods became angry and the occupants of the First World were forced to leave. The First Man planted a reed in the east, which grew tall and strong. The First Man, First Woman, and all of the other creatures of the world climbed up it to safety, to the Second World.

A black and yellow wasp on a white flower.
Photo by Pixabay on Pexels.com

Ahti, a little-known Egyptian deity, was represented as a hippopotamus with the head of a wasp. Not much is known about her, though her interesting composition has led some scholars to associate her with chaos, disorder, and spite.

In Hindu mythology, wasps are associated with Bhramari — the goddess of bees. Bees, wasps, hornets, spiders, termites, mosquitoes, and biting flies cling to her body, and she could send them out to attack for her. In the tenth book of the Devi Bhagavata Purana, there is a powerful asura named Aruna. He performs a penance to Brahma, and, in return, Brahma makes it so Aruna cannot be killed in war by any man, woman, weapon, bipedal creature, quadrupedal creature, or any combination thereof. Feeling suitably overpowered, Aruna called on other beings to attack the devas. He nearly succeeded in beating them, too, until Adi Parashakti appeared and began releasing bees from her hands. Calmly, she continued releasing insects that clung to her body, making her larger and larger and creating the divine form of Bhramari.
When all of Aruna’s army had been defeated except him, she released her insects upon him to tear him limb from limb.

John Gerard, a sixteenth century herbalist, had a method of tree divination using acorns. The technique involved finding an acorn at a specific time of year (likely autumn), breaking it open, and examining the contents:

  • If there was an ant inside, there’d be an abundant harvest in the coming year.
  • On the other hand, a worm that attempts to crawl away means a light harvest.
  • A spider was a harbinger of pestilence for humans.
  • A white worm was a harbinger of pestilence for animals.
  • If the worm thrashed and turned away, however, it meant the plague.
  • If there was a worm that “flew away” (perhaps by growing into an adult knopper gall wasp), it foretold war.
A wasp climbing on a mossy stick.
Photo by Pixabay on Pexels.com

Some modern witches use deceased wasps as an ingredient in banishing or protective powders. Combine them with ingredients like salt, hot pepper, and garlic, and grind to a fine powder. Use to dress candles, sprinkle around borders, et cetera.

Wasps represent war, arguments, and violence. This is probably undeserved, as there are plenty of non-aggressive wasp species. (I mean, I woke up the other day with a little ichneumon wasp crawling on my leg. She was tiny, harmless, and seemed at least as confused as I was, considering both of us were A) in a bed and B) under a blanket.)

Wasps’ violence isn’t always unjustified, however. These creatures, and stinging insects in general, also frequently represent punishment and wrath. Even in the story of Bhramari, where wasps are part of the insect army that eventually defeat Aruna, they are part of the righteous, defensive wrath of the goddess.

They’re also symbols of strictly enforced boundaries and protection.

On the other hand, dreaming of wasps is said to represent evil and negative emotions. Dreams of being stung by a wasp may indicate envy. Killing a wasp in a dream represents bravery in overcoming the negativity or malicious actions of others.

Are wasps aggressive? They certainly can be, but this isn’t directionless aggression. In reality, they’re very protective. The trouble is, it’s often difficult for humans to tell where our territory ends and theirs begins, which frequently brings us into conflict. Still, wasps perform very important functions as pollinators and predators of pest insects, so it’s worth learning about your local wasp species and finding ways to coexist whenever possible.
Sometimes that long “stinger” is just an ovipositor, and that wasp is on the way to take care of your garden for you!

animals

The Magical Meaning and Symbolism of Spiders

(If you’re arachnophobic, you probably want to skip the whole “symbolism of spiders” post. Don’t worry — I’ll be back next week with some more non-spider related lore.)

This is Matilda. I was out checking for more ground candy (aka, the delicious maypops that fall off my porch’s vines when they’re ripe), when I happened to look up and realize that I was face-to-face with a massive orbweaver (Neoscona species).

A close up of a large, hairy orb weaver perched in the center of a web.

Later that afternoon, once she’d had a chance to build a sizeable web right across the upper part of my window, I very carefully opened the window to snap multiple pics of her from a variety of angles.
It was then that I realized that there was a fire truck and an ambulance in front of one of my neighbor’s houses.

(Note to neighbors: THERE WAS A COOL SPIDER. I PROMISE THAT I’M NOT A MANIAC.)

(Also the emergency vehicles left pretty uneventfully, so hopefully everyone is okay.)

*Ahem*

Anyhow, this is the time of year when sightings of these guys peak around here. So, in honor of Matilda, I figured now would be a good time to write a bit about the magical meaning and symbolism of spiders.

In Greek mythology, the first spider was a woman named Arachne. She was a marvelously talented weaver — allegedly better than Athena herself. She challenged her to a weaving contest, and Arachne’s weaving was, indeed, very beautiful. However, while her weaving was flawless, Arachne had chosen to create a tapestry mocking the gods. (In some tellings, Athena is simply enraged by Arache’s pride.) Angered, Athena transformed her into a spider.

A close up of a jumping spider's face, showing their fuzzy pedipalps and big, black, almost puppylike eyes.
Photo by Pixabay on Pexels.com

In Catholic Christian mythology, the symbolism of spiders relates to faith. Saint Conrad of Constance, a German bishop, is said to have seen a spider fall into his cup during Easter Mass. While it was widely believed that all spiders were venomous (or, in this case, poisonous) Conrad drank the wine and trusted in his faith to preserve him.

Probably the best-known spider in mythology is Anansi, from the Ashanti people. He’s viewed as a cunning trickster figure. He’s so prominent, that he gave rise to the term “spider tales,” which encompasses several kinds of story within the Ashanti oral tradition.

In North America, spiders were viewed as either trickster figures, or ingenious creators. The Hopi and Diné people have Spider Grandmother, who plays a key role in the creation of the world.

Another close up of a very cute, fuzzy white jumping spider.
Photo by Pixabay on Pexels.com

In Peru, spiders frequently appear in ancient artworks (including the famous Nazca lines). While the specific significance of these depictions is often uncertain, it is known that the Cupisnique people had a spider deity associated with weaving, nets, war, and power.

In Australia, spiders sometimes appear in art and as clan totems.

The people of Kiribati Island and the Republic of Nauru, of Micronesia, both have spider figures that play a central role in their creation mythology.

In Japan, there are spider-like yokai called ogumo, yatsukahagi, or tsuchigumo. Tsuchigumo translates as “earth spider,” but likely didn’t originate as a spider at all. Historian Yoshiyuki Takioto put forth the idea that tsuchigumo were local chieftains (described as short people with long limbs, who lived in caves, eschewed civilization, and disregarded the imperial court), These chieftains were most likely shamans.
The yokai tsuchigumo first turns up in medieval literature, as a spider-like figure 60 meters long. When killed, the heads of almost 2000 people fell from its belly.

In Scotland, spiders were an inspirational figure during the First War for Scottish Independence. After a series of defeats, Robert the Bruce hid in a cave. While there, he watched a spider struggle to climb a strand of silk. Despite failing over and over, the spider eventually succeeded. This gave him the encouragement he needed to go back into battle and eventually win Scotland’s independence.

A slender black and yellow spider perched on its web.
Photo by Pixabay on Pexels.com

It’s often said to be bad luck to kill a spider that you find in your home. This has a (perhaps unsurprising) grain of truth to it — killing spiders in your house means that you’re opening yourself up to all of the much less desirable things that spiders eat. If an infestation of flies or ants looks like bad luck to you, then you might want to heed this bit of folklore!

The symbolism of spiders in dreams includes:

  • Feeling like an outsider — like a spider in a web in the corner of a room.
  • Wanting to be an outsider.
  • A protective force.
  • A strong or overbearing feminine figure.
  • Rewards for one’s hard work.
  • Unpleasant relationships. Relationships one can’t escape, a (usually feminine) person who is draining one’s energy, a conflict with an overbearing person.

However, dreaming specifically of a rainbow colored spider is said to point to a situation that you probably want to avoid.

Spiders have far-reaching symbolism. Across cultures, they’ve been everything from tricksters to cosmic creators, to the unfortunate fate of the proud.

In general, these animals are associated with industry and creativity. Spider webs come in an astonishing variety of shapes and sizes — from small, silk-lined burrows to impressive constructs that are as delicate as they are massive.

Strands of a spider's web, highlighted in the sunlight. There are trees and shrubs visible in the background.
Photo by Phil Kallahar on Pexels.com

They’re also associated with snares, webs, and trickery. Spiders who use webs to catch their food place them in places where they’ll be both efficient and unobtrusive — virtually invisible, until an unwitting insect (or unlucky hiker) bumps into them. Spiders who don’t use webs generally either rely on natural camouflage to hide them as they run down their prey, or conceal themselves and wait for the opportunity for ambush. In all cases, they are patient, diligent, and cunning.
This can be good for you, if you’re seeking to emulate the spider a la Robert the Bruce.
It can also be very bad, if you’re heading into a situation that may prove to be a trap.
As with all things, context is important when it comes to interpreting omens.

A close up of a jumping spider, on what appears to be a striped rug or blanket.
Jumping spiders are ambush predators. Photo by Skyler Ewing on Pexels.com

Spiders are also connected to resiliency. No matter how many times their webs are destroyed, they rebuild them. They get knocked down, and they climb right back up again.

To an extent, spiders are also symbols of healing and rebirth. A spider can lose a leg or two and (if they survive the injury without losing too much hemolymph) will regrow them with subsequent molts.

Not a lot of people like spiders. Personally, I was never a fan of them — they terrified me as a kid. Eventually, I forced myself to take an interest in them, their body language, and their habits. I’m glad I did, because they’re really beautiful, fascinating, helpful creatures when you get right down to it.

animals

The Magical Meaning of Spiders

(If you’re arachnophobic, you probably want to skip this one. Don’t worry — I’ll be back next week with some more non-spider related lore.)

This is Matilda. I was out checking for more ground candy (aka, the delicious maypops that fall off my porch’s vines when they’re ripe), when I happened to look up and realize that I was face-to-face with a massive orbweaver (Neoscona species).

A close up of a large, hairy orb weaver perched in the center of a web.

Later that afternoon, once she’d had a chance to build a sizeable web right across the upper part of my window, I very carefully opened the window to snap multiple pics of her from a variety of angles.
It was then that I realized that there was a fire truck and an ambulance in front of one of my neighbor’s houses.

(Note to neighbors: THERE WAS A COOL SPIDER. I PROMISE THAT I’M NOT A MANIAC.)

(Also the emergency vehicles left pretty uneventfully, so hopefully everyone is okay.)

*Ahem*

Anyhow, this is the time of year when sightings of these guys peak around here. So, in honor of Matilda, I figured now would be a good time to write a bit about the magical meaning of spiders.

In Greek mythology, the first spider was a woman named Arachne. She was a marvelously talented weaver — allegedly better than Athena herself. She challenged her to a weaving contest, and Arachne’s weaving was, indeed, very beautiful. However, while her weaving was flawless, Arachne had chosen to create a tapestry mocking the gods. (In some tellings, Athena is simply enraged by Arache’s pride.) Angered, Athena transformed her into a spider.

A close up of a jumping spider's face, showing their fuzzy pedipalps and big, black, almost puppylike eyes.
Photo by Pixabay on Pexels.com

In Catholic Christian mythology, spiders are connected to faith. Saint Conrad of Constance, a German bishop, is said to have seen a spider fall into his cup during Easter Mass. While it was widely believed that all spiders were venomous (or, in this case, poisonous) Conrad drank the wine and trusted in his faith to preserve him.

Probably the best-known spider in mythology is Anansi, from the Ashanti people. He’s viewed as a cunning trickster figure. He’s so prominent, that he gave rise to the term “spider tales,” which encompasses several kinds of story within the Ashanti oral tradition.

In North America, spiders were viewed as either trickster figures, or ingenious creators. The Hopi and Diné people have Spider Grandmother, who plays a key role in the creation of the world.

Another close up of a very cute, fuzzy white jumping spider.
Photo by Pixabay on Pexels.com

In Peru, spiders frequently appear in ancient artworks (including the famous Nazca lines). While the specific significance of these depictions is often uncertain, it is known that the Cupisnique people had a spider deity associated with weaving, nets, war, and power.

In Australia, spiders sometimes appear in art and as clan totems.

The people of Kiribati Island and the Republic of Nauru, of Micronesia, both have spider figures that play a central role in their creation mythology.

In Japan, there are spider-like yokai called ogumo, yatsukahagi, or tsuchigumo. Tsuchigumo translates as “earth spider,” but likely didn’t originate as a spider at all. Historian Yoshiyuki Takioto put forth the idea that tsuchigumo were local chieftains (described as short people with long limbs, who lived in caves, eschewed civilization, and disregarded the imperial court), These chieftains were most likely shamans.
The yokai tsuchigumo first turns up in medieval literature, as a spider-like figure 60 meters long. When killed, the heads of almost 2000 people fell from its belly.

In Scotland, spiders were an inspirational figure during the First War for Scottish Independence. After a series of defeats, Robert the Bruce hid in a cave. While there, he watched a spider struggle to climb a strand of silk. Despite failing over and over, the spider eventually succeeded. This gave him the encouragement he needed to go back into battle and eventually win Scotland’s independence.

A slender black and yellow spider perched on its web.
Photo by Pixabay on Pexels.com

It’s often said to be bad luck to kill a spider that you find in your home. This has a (perhaps unsurprising) grain of truth to it — killing spiders in your house means that you’re opening yourself up to all of the much less desirable things that spiders eat. If an infestation of flies or ants looks like bad luck to you, then you might want to heed this bit of folklore!

In dream dictionaries, dreaming of spiders is believed to represent:

  • Feeling like an outsider — like a spider in a web in the corner of a room.
  • Wanting to be an outsider.
  • A protective force.
  • A strong or overbearing feminine figure.
  • Rewards for one’s hard work.
  • Unpleasant relationships. Relationships one can’t escape, a (usually feminine) person who is draining one’s energy, a conflict with an overbearing person.

However, dreaming specifically of a rainbow colored spider is said to point to a situation that you probably want to avoid.

Spiders have far-reaching symbolism. Across cultures, they’ve been everything from tricksters to cosmic creators, to the unfortunate fate of the proud.

In general, these animals are associated with industry and creativity. Spider webs come in an astonishing variety of shapes and sizes — from small, silk-lined burrows to impressive constructs that are as delicate as they are massive.

Strands of a spider's web, highlighted in the sunlight. There are trees and shrubs visible in the background.
Photo by Phil Kallahar on Pexels.com

They’re also associated with snares, webs, and trickery. Spiders who use webs to catch their food place them in places where they’ll be both efficient and unobtrusive — virtually invisible, until an unwitting insect (or unlucky hiker) bumps into them. Spiders who don’t use webs generally either rely on natural camouflage to hide them as they run down their prey, or conceal themselves and wait for the opportunity for ambush. In all cases, they are patient, diligent, and cunning.
This can be good for you, if you’re seeking to emulate the spider a la Robert the Bruce.
It can also be very bad, if you’re heading into a situation that may prove to be a trap.
As with all things, context is important when it comes to interpreting omens.

A close up of a jumping spider, on what appears to be a striped rug or blanket.
Jumping spiders are ambush predators. Photo by Skyler Ewing on Pexels.com

Spiders are also connected to resiliency. No matter how many times their webs are destroyed, they rebuild them. They get knocked down, and they climb right back up again.

To an extent, spiders are also symbols of healing and rebirth. A spider can lose a leg or two and (if they survive the injury without losing too much hemolymph) will regrow them with subsequent molts.

Not a lot of people like spiders. Personally, I was never a fan of them — they terrified me as a kid. Eventually, I forced myself to take an interest in them, their body language, and their habits. I’m glad I did, because they’re really beautiful, fascinating, helpful creatures when you get right down to it.

animals · Neodruidry · Witchcraft

Egg Folklore and Magical Uses

Hello! If you’re in the US, hopefully you enjoyed the eclipse on Monday. I spent most of it enjoying the lovely weather, painting my porch, and experiencing the very surreal feeling of an eclipse-dimmed sun.

The family of crows who hangs out here all came to rest in the maple tree in the backyard. (I read that zoos had noted that the eclipse affected animal behavior, and some birds seemed to be agitated by this bit of celestial disruption. I’m guessing these guys figured it wouldn’t be a terrible idea to spend the eclipse in a place they knew came with food, water, and safety.) So, once the porch was finished, I spent the rest of the time relaxing, reflecting, and feeding them hardboiled eggs.

This, and the recent Spring Equinox, got me thinking about the folklore and magical properties of eggs. I don’t eat them, myself, but they’re rich with symbolism and certainly deserve a look.

In ancient Greek Orphism, there was the Orphic Egg. This was an egg, usually depicted with a serpent coiled around it, from which hatched the primordial deity Phanes.

Ancient Egypt had their own concept of a cosmic egg not unlike the Orphic Egg. There was a cosmic goose called the Great Honker (Gengen-Wer) who laid a world egg, from which the Sun and Earth hatched.

In Hinduism, there are multiple mentions of eggs. The Hiranyagarbha is similar in concept the world/cosmic egg. In one tradition, the creator deity Brahma emerged from the egg and created the world. The Shatapatha Brahmana mentions another creation story, in which the Prajapati reproduces himself, releases the waters of the world, transforms into an egg to enter the waters, then emerges from the egg to make the Earth, sky, and middle regions. In Garuda Purana, Vishnu was born from a golden egg.

A small dish of spotted quail eggs on a checkered tablecloth.
Photo by Mikhail Nilov on Pexels.com

Eggs are a strong recurring theme and metaphor for creation across cultures, and they’re also associated with the Sun. In Egypt, the Sun was sometimes conceptualized as an egg. In Australia, some Indigenous Australian peoples held that the Sun was produced during a fight between birds. Brolga the dancing crane and Dinewan the emu quarreled, and Brolga grabbed one of Dinewan’s eggs and tossed it from its nest. The egg struck a piece of wood, freeing the yolk from the shell and catching it aflame. This flaming yolk stayed in the heavens as the Sun.

In Europe, eggs were also a symbol of creation, birth, and fertility. French brides would break eggs to ensure a swift pregnancy. German farmers would rub egg yolks on their ploughs to transfer the egg’s fertility to their fields.

As in Australia and Egypt, eggs were also associated with the Sun in much of Europe. This, however, seems largely to do with the fact that both return at the same time. Most of Australia and Egypt have milder winters, but winters in much of Europe can be pretty harsh. The Spring Equinox marks the beginning of spring and longer, warmer days, which is also when birds start laying again. Even modern chickens, who’ve been selectively bred to produce far more eggs far more often, will take a break in winter if they aren’t “tricked” with supplemental lighting. Chickens literally need the Sun or eggs don’t happen!

A paperboard container of pastel-colored eggs.
Photo by ROMAN ODINTSOV on Pexels.com

Slavic egg decorating further connects eggs with the Sun, and is the source of modern Easter egg traditions. Slavic Paganism has a Sun deity named Dabog (or Dazibogu, Dazhbog, Dazhboh, Daždźboh…). Birds were his chosen creatures, for only they could get close to him. Eggs, therefore, are intimately connected to both the Sun deity, and the return of warmer weather and the fertility of animals and the land in spring. Decorating eggs was a way to honor this. The simplest form of decorated eggs, a single solid color, are to be blessed and eaten, conferring the blessing to the consumer. More elaborate designs are for ritual or amuletic purposes.

Eggs are frequently used for cleansing. In Brujeria, they’re a key component of huevo limpia — egg cleansing. Egg cleanses are also a part of Hoodoo. Sometimes, these eggs have certain restrictions imposed on them by the practitioner. For example, the egg may need to come from a specific color of hen, and be laid before noon.

Using eggs can be as simple as boiling, blessing, and eating them. They’re a traditional food for spring festivals. Though I don’t eat them myself, when I end up with some, I offer them to the birds during their breeding season. The extra protein and calcium seem to be very much appreciated.

Eggs can also be a vehicle for container magic, albeit a delicate one. To do this, make a small hole at both ends of the eggshell without shattering it. Blow through the hole to push the yolk and albumen into a separate container. Use the now-hollow egg to hold dried herbs, petition papers, or other spell materials. Hang the egg from a tree branch with a bit of twine or ribbon. When the egg eventually breaks, the spell will be released.

As with Slavic decorated eggs, you can also decorate egg shells for ritual or amuletic purposes. (For this, you may actually want to use a ceramic or wooden egg instead of a real one — whole eggs will rot, and hollowed-out eggs are very fragile.) Decorate it with wax and dye, decoupage, beadwork, painting, or, if you use wood eggs, pyrography. Choose symbols that relate to the egg’s significance to your practice — creation, fertility, birth, abundance, and so forth. Carry one with you as an amulet, or use them as altar decorations or ritual power objects.

You don’t need to buy or eat eggs to be able to work with their powerful symbolism. Purchase ones made of ceramic or wood, or you can make your own using air-dry clay or papier-mâché. They represent the earliest, oldest magic — the creation of the world, the cosmos, and everything that is. Eggs are the infinite seed of creation, and a very worthy addition to any spiritual path.

Books

Let’s Read: Folklore and Symbolism of Flowers, Plants and Trees

I admit, when I first got my copy of Ernst and Johanna Lehner’s Folklore and Symbolism of Flowers, Plants and Trees, I was slightly disappointed at the size. I’d been hoping for a longer volume, while this one comes in at just 128 pages. However, despite my initial misgivings, I did enjoy this book.

For starters, it’s well organized. The first chapter covers sacred plants from Middle Eastern, Chinese, Norse, and other cultures/religions around the world. The next is a neatly alphabetized collection of folklore about flowers. From there, it goes on to cover strange and wondrous plants, and plant calendars from various cultures. The last section is a list of the floriographic meanings of each plant.

That said, this is a somewhat old book, and the majority of its sources have a Euro- or Christocentric lens. Some spellings that appear as typographical errors (Batatosk for Ratatoskr, for example) seem to be artifacts of old printing methods. Some of the wording is also outdated, like the usage of Mohammedan (an archaic term for Muslim or Islamic that’s now regarded as a misnomer at best, or offensive at worst). Some of the common names they chose to use also may be a bit strange to an English reader, like Bo Tree for Bodhi Tree. You get the idea.

While it isn’t long, the pages are large enough to hold beautiful antique illustrations and a lot of information. The entries also include the scientific name of each species (where known), which is very helpful. Relying on common names can be misleading — feverwort, also known as common centaury (Centaurium erythraea) is not the same as feverfew (Tanacetum parthenium). There are also a bunch of plants in the Gyrandra, Schenkia, and Zeltnera genera also referred to as centaury.

All told, this isn’t necessarily a book for deep dives or long reads. However, it’s a very useful quick reference for floriography, and a decent jumping off point for research into mythology and folklore. Would I say it’s indispensable? Not necessarily, but it’s been very useful to me and is really nice to have on hand. It’s best, I think, when paired with a book detailing each plant’s magical or medicinal uses. It’s a nice jumping off point for further research into folklore and mythology, but it shouldn’t be treated as the final authority.

If you’re looking for a quick mythological or floriographic reference for a wide variety of trees, herbs, and flowers, Folklore and Symbolism of Flowers, Plants and Trees is a good book to have. If you’re looking for more comprehensive information, magical uses, folk medicine, or a deeper analysis, you’ll probably want to look elsewhere.