By now, you probably know that a bunch of insurrectionists stormed the Capitol Building, where they were more or less welcomed with open arms by the people tasked with preventing that kind of thing. At least, until some rioters apparently tried to make their way to Pence’s office, resulting in one tragic death. Excruciatingly stupid, but tragic.
Without doxing myself, I live near where all of this went down. Like, really near. To say this has been a nerve-wracking shitshow would be an understatement. I’m not even going to get into the difference in police response to the insurrectionists vs. BLM, because more eloquent people have already done that many times over, and, to be perfectly honest, I generally don’t express myself well when I’m on the brink of a rage aneurysm. I will say that it has definitely served to underline the idea that police apparently can interact with protesters in a nonviolent fashion, and choose not to.
There were pipe bombs. There was a hastily-constructed gallows.
About half of the population of various pro-Trump venues blamed antifa for staging the insurrection to make them look bad, the other half posted selfies from inside the Capitol Building. Others posted their relatives’ pictures with pride. It doesn’t really matter, because the insurrectionists learned absolutely nothing from other protests and refused to wear masks, so identifying them hasn’t exactly been difficult.
One of my S.O.’s co-workers had rioters on their porch, and had to chase them away with a bat. The rioters said he “better have a gun next time.”
We’re safe here for now. Word is there will be more riots. Even if there isn’t, it means there will be more curfews and guards. Even if the insurrectionists are punished for their actions, it’s the people who actually live here who’ll have to deal with the consequences. (Probably in perpetuity, too, considering the fact that people in airports still have to take their shoes off before they’re allowed on a plane.)
As it turns out, there’s a buttload more to working from home than setting up a desk.
I think neither my partner nor I would’ve been able to predict the effects it had: worse sleep hygiene, confused cats, a general air of unease, a much harder time separating work and life, working an extra three hours or so a day. The trouble is, if you have to work from home, you don’t get much choice in the matter — you either have a separate space for an office and the kind of mental walls that help you keep your work life and home life separate, or you’re kind of boned.
So we engineered a way to take a vacation in the most low-risk, isolated way possible.
Getaway offers tiny cabins a little less than two hours outside of D.C. It worked out perfect for us — we booked and paid for the cabin online a few months in advance (they fill up quick), picked up some extra provisions during our last grocery trip, filled up on gas when we normally would anyhow, and made the trip without having to stop. Checking in was completely contactless, too. We received a text with the lock code, keyed it in to the number pad on the door, and stepped into a very comfy, charming one-room cabin.
It was pretty much perfect. There was a spacious bathroom at one end, with a large shower and accessibility bars. At the other, there was a big, marshmallowy queen sized bed under an enormous window that looked out onto the woods. The cabin also had a pretty well-equipped kitchen, with a two burner stove, sink, pots, pans, silverware, and dishes. (There was even a bowl for traveling dogs.)
It snowed pretty heavily, which kept us from really taking advantage of the trails or the fire pit. Even so, it was really wonderful being able to snuggle up in bed with a cup of tea and some pancakes, under that huge window, and watch the snow through the trees. The night sky was gorgeous, too — I stayed up late both nights to stargaze.
It was just cozy, you know? Peaceful. Idyllic. No work emails, no calls, no wifi to answer them even if we wanted to. Just the creaking of the trees in the wind, snow, and the stars at night.
It turned out to be a great atmosphere for brainstorming, too. My S.O. and I did some storyboarding, and he wrote a really awesome short story (that will hopefully go up somewhere in the future). I had about a thousand ideas, but didn’t really get into writing or making art while I was there — I took a few notes and made some sketches, but I didn’t want to lose too much time trancing out in a creativity fugue like usual.
Even the way home was pretty. It rained after it snowed, and the nighttime temperature drop made the water freeze around all of the bare trees until it looked like they were covered in diamonds. The sky was blue, and the sun glittered through the trees’ ice-covered claws until even an ordinary road next to a set of power lines looked like something out of Narnia.
Everything was so bright and pretty, in fact, and we felt so refreshed, that we didn’t really want to go home right away. Stopping somewhere populated wasn’t really an option, but that’s okay.
There’re always roadside attractions.
We’re both kind of suckers for them (by which I mean that, if there’s a World’s Largest Something between here and California, we’ve probably stopped by). The biggest windchime? Been there, rang it, had a slice of pie. My S.O. had barely opened his mouth to say he wished there was something cool on the way home before I had a list of things that were a) large, b) unpopulated, and c) at least slightly ridiculous.
He used to be a paving company’s tar silo. When a paint company bought the property, they painted it and converted it to this fellow. Honestly, the setting had a pretty unique sense of melancholy — there he was, with the approaching clouds just beginning to gray the sky, strewn with unlit Christmas lights, staring unblinkingly out at a McDonald’s across the street. It felt very Lynchian, though I’ll be damned if I can explain how.
Our appetites whetted by the urge to see more huge things, we next drove back to D.C. to find an actual giant.
Fortunately, it being the middle of the week, during a pandemic, and also December, the place was pretty much deserted. Several areas were closed off, so I wasn’t able to get closer to the sculptures themselves, but the image was still very striking. There he was, this metal titan struggling up from the beach sand, face twisted in anguished effort. Then, in the background, a lazily turning Ferris wheel.
I don’t know if any of you have played Kenshi, but there’s one particular area that gives me a similar feeling. There’s just something about massive metal hands clawing vainly at the sky that’s so damn eerie. When it’s juxtaposed against a beach and a carnival ride, it’s surreal as hell. I love it.
Now we’re home, snuggled up with two cats who had Many Things to Say about our absence. If you’re reading this the day it was posted, it’s the winter solstice. Keep your eyes peeled tonight for the conjunction of Jupiter and Saturn, and have a happy Yule.
As much as I love cypress trees literally any time of year, November to early December is my favorite time for them.
Because they make everything smell fantastic.
Bald cypress trees turn orange and shed their needles in autumn to early winter — as I write this, most of the ones here are, indeed, impressively bald. The result is a carpet of needles mingled with sticky, resinous cones.
The cones are particularly interesting to me. They start out as small, hard green buds. Sometimes you can find them on the ground as early as October, but they don’t really ripen for another month after that. Then, they expand and become almost crumbly, their scaly surfaces separating and falling apart to reveal the fragrant seeds inside. That’s when it’s really nice to find a stand of them and pick up a few from the ground. I live for the smell of the rich, autumn soil, the earthy-spicy-sweet smell of decaying leaves, and the fresh, piney, almost citrusy scent of cypress resin. If I can meet some mushrooms or a neat patch of lichen on the same trip, I’mecstatic.
(I’m a pretty easy organism to please, all told. I’m pretty much a beetle with different ideas.)
After that, we took a trip to the arboretum. Naturally, there’s not much to see this time of year — the flowering dogwoods are not, the lilac is long since asleep, and the oaks and maples are skeletal — but there’s a kind of architectural beauty to a lot of the bare trees. Now is when they get to show off colors and patterns in their bark, the strange, Escher-like twists of their branches, and all of the other things leaves hide in spring and summer.
Most of the conifers, of course, are still going strong. I met a Norway spruce that I found especially pretty — I hadn’t realized that their immature buds look like flowers before, their papery brown petals unfolding like tiny roses.
It wasn’t late when we arrived, but this time of year, the early sunset and angle of the planet slants the sunlight in a way that makes everything look almost surreal. It’s a cold beauty, but I love it.
The truth is, most of these terms are just names for physical features of the crystal itself. Some claim that these physical traits line up with the stones abilities or affinities, but this isn’t always the case. One of these terms is “Devic Temple Quartz.”
So, what’s a Devic Temple quartz?
In simple terms, a Devic Temple quartz is a quartz crystal that has internal fractures that resemble seats or shelves. These usually also have some visible foggy wisps produced by trapped gasses or water, often called “fairy frost.”
If the water inclusions are large enough, it might also be called “enhydro.” If it appears to have the outline of another crystal inside, it might be called “phantom.” If it contains inclusions of hematite, chlorite, or other minerals, it might be called “lodolite.” As a word of caution, while lodolite is a common term among gem enthusiasts, it’s not actually a real name. It pretty much just means “stone that has some mud inside.” You might also see these called garden or shaman quartz.
Like I said, there are a lot of words involved. Try not to sweat it too much.
What can it do?
Devic Temple quartz is purported to house light beings, nature spirits, or other allies. Sometimes, if you look at the internal fractures, rainbows, fairy frost, and other features, you can see what appear to be faces, dancing bodies, or humanoid/animal shapes.
Since these crystals are said to act as “houses” for spiritual entities, they’re considered a way to communicate with them in meditation, healing, and so forth. Having one of these guys is pretty much like a direct line to the spirit in the crystal. Some also consider them a way to communicate with faeries and/or angels.
Here’s where my opinion differs…
Honestly, from my experience, all crystals have their own presence. Sometimes, you can perceive it as a kind of electric feeling in your fingers — like the feeling you’d get if you were holding a bird, a firefly, or some other tiny life, afraid of squeezing too hard. This isn’t to say that a crystal is alive the way we typically conceptualize life, but it’s in there. In this respect, Devic Temple crystals aren’t unique.
That said, they can make it easier to access that presence. It’s kind of like the difference between trying to find a hermit in the woods, and walking up to a numbered address with a brightly-painted front door and a sign that says “Free pies, inquire within.”
Sometimes, you can see the physical appearance of a crystal’s presence in the fairy frost, even if it isn’t a Devic Temple crystal. One of my favorite meditative activities is to sit with a a crystal, a macro lens, and a good light source, and look for tiny buddies.
Do you need a Devic Temple quartz? I wouldn’t say that they’re essential — but I wouldn’t say that about any crystal. Ultimately, if a stone resonates with you and is responsibly sourced, pick it up. Don’t buy it because of the names attached to it. Choose what you’re drawn to and discover its unique features afterward, when you have a chance to sit with it.
I mean, that’s not what’s kept me busy for the past twenty or so days, but it’s a small project I’ve embarked on.
(What did keep me away was an absolute ton of paid writing. It’s hard to write all day and then still feel like I want anything to do with words by the time I’m done. This is especially true when that writing involves hours of researching things like metallurgy and UV-C lighting. By the end of it, my brain is tired and feels like the tail end of a discarded boba tea.)
About a week ago, my S.O. and I found the app Meow Talk. It claimed to be able to record cat noises and translate them into something understandable to humans. I consider myself pretty perceptive when it comes to figuring out what these nerds are trying to say to me, but, admittedly, I was curious. How accurate could a cat recording app really be?
As it turns out, eerily so. It correctly interpreted all his weird little greeting chirps as “Hello.” He also tells the fridge “I love you,” and responds to my attempts to smooch him with “I AM IN PAIN.” Like I said, accurate. Meow Talk isn’t even paying me for this endorsement. I’m just genuinely surprised and tickled that someone was able to interpret my cats weird little trills and yowls. I haven’t yet managed to capture one of his weird 3 AM TED Talks to no one, or the paid mourner-style wailing he does every time we move a piece of furniture, but I’m working on it.
It doesn’t really work on Kiko, but she primarily communicates through touch. If someone makes an app that can turn little paw-taps into human speech, I’d be all over it. So far, I’ve managed to figure out her “please sit by my bowl and watch me eat,” “smooch my head,” and “roll over, I need to nap on your stomach. It’s an emergency” bops, but she’s developed a very robust punching-based language that defies interpretation a majority of the time.
If you have a cat, especially a vocal one, I recommend messing around with the Meow Talk app. It’s fun, if nothing else, and could be informative. Especially if your cat has a weird attachment to appliances.
It was cold and rainy here over the weekend, though that was fine by me — we weren’t exactly spoiled for choice when it came to bonfires and dumb suppers this year. Besides, though rainy weather does my brainmeat up all wretched, it does make me want to clean and air everything out.
So cleaning, cleansing, and refreshing all of my wards is exactly what I did. I would have refreshed my altar too, but I did that on the last new moon — dusting it, wiping it down with a special blend of oils, herbs, and flower water, burning more herbs in my hearth-cauldron, lighting candles, the whole bit.
I often like to take all of the herbs that are getting to be past their peak, ones that I’ve had lingering in my herb jars, drawers, and cabinets for a bit too long, and burn them on Samhain. It just feels right to burn the old herbs, thank them for their usefulness, and either save the ashes (depending on the herbs) for black salt or return them to the soil. I didn’t get to do that this year, but that’s okay — I don’t really have a big stash of old herbs anyhow.
I also filtered the oil I’d started on October’s first full moon, which gave me an inexplicable craving for pizza (courtesy of all of the dittany of Crete. That stuff smells delicious). Now I’ve got a neat little bottle of fresh raven oil chilling in my secret stash, which makes me pretty happy. I’d love to be able to work this combination of herbs into another form — incense, maybe — but many of them are the type that just tends to be throat-pluggingly smoky and bitter when they’re burned. They might work alright if they’re in small amounts and sufficiently worked into a sweeter-smelling base, but that’ll take a little experimentation.
This month came with its usual compliment of especially vivid dreams and messages, but I won’t bore you with those details. I hope the feeling lasts, though. I’m always at least a little sad to see them go once the veil’s no longer as thin.
One of the really hecking sweet parts of having more physical endurance now is that places I already loved to go have opened up a lot more to me. Take Kenilworth Aquatic Gardens, for one.
It’s a very quietly beautiful place most of the year, other than summer when the lotuses bloom in a sea of brilliant pink. It’s never very crowded, there are always plenty of places to sit, and you rarely hear people over the orchestra of insect calls and birdsong. Even the city traffic dulls to a low, forgettable roar in the background.
Even though the gardens are arguably at their best in summer, I like them the most in autumn. My favorite part of them isn’t the lotuses, really (though I have a certain appreciation for their alien-looking pods), it’s the bald cypress trees.
I love bald cypress trees. They’re my favorite tree. I love their scent (I once knelt down to take a picture of one, and ended up ruining a good pair of jeans by permanently staining the knees green. I felt embarrassed afterward, like a child ruining a set of school clothes on the playground, but sweet, fresh smell of crushed cypress needles was almost worth it). I love the way their needles turn brilliant orange in autumn. I love that they’re one of the few weirdo conifers that actually loses their needles in winter. I love the way they grow, in the liminal space between land and water. I love their alien-looking knees — mistaken for people, animals, and even monsters once they get large enough.
Anyway, before I launch into another paean to bald cypress trees, all of this is to say that we took a long walk in the park and it was pretty nice. The boardwalk is especially pretty this time of year, with the leaves falling on it like confetti in shades of burgundy, vermillion, violet, and saffron.
There weren’t as many flowers, of course. I found some kind of yellow asteraceae, and these very pretty silver cock’s combs, but that was about it. I did also spot some aggressively purple berries on (what I think is) a viburnum, though. Judging by the number of bare twigs, the birds have been hitting them up for snacks pretty hardcore. I know cardinals will happily eat them — I used to have a bright red buddy who hung out outside of the window of my old apartment.
My partner and I sat on a bench for a bit, enjoying the sound of the insects chirping, birds warbling, and wind soughing through the trees.
“What… What are you doing?” He asked.
“Taking off my shoes,” I replied.
I shrugged. “Something about ions. Mostly because it feels good. Dirt. Moss. You know.”
(He eventually followed suit and realized I was right — the cool ground felt wonderful, and the moss was very soft.)
As I write this, it’s Saturday night, I’m snuggled up and waiting to watch a livestream by Gareth Reynolds. I’ve got my partner, my cats, and a fantastic slice of pie. All told, not a bad end to the day!
Let me preface this by saying that I love my cats. I do. But one of them has an odd obsession with getting into any plant that’s within reach (and several that aren’t), and the other will hurl things and scream if one of us fails to sit on the kitchen floor with him in the morning. I don’t know why this is, but it’s the reality of the situation.
Anyway, as you can probably tell, this makes setting up and maintaining a home altar somewhat… challenging, shall we say. Not only do I not want my altar disturbed, I also don’t want to have to worry about someone eating something they shouldn’t. So, here’s how I keep everyone (and everything) safe:
Train Your Cats to- hahahahahaha
Sorry, couldn’t resist. Couldn’t finish that thought with a straight face, either.
Choose Portable Altar Decor (But a Permanent Space)
In my opinion, part of an altar’s power is in its presence even when it isn’t being used. Some of that is lost when you have to set up and take down your altar every time you need it, but that doesn’t make a portable altar any less beautiful or meaningful.
If you do have to go the portable route, however, I’d recommend keeping a dedicated altar space. Even if you can’t have food offerings out without your dog getting into them, or your cat tries to knock over all of your statuary, you can still have a specific space that’s only used for your temporary altar. Get a nice accent table and cover it with a cloth. Set it with a good-sized crystal or a vase of flowers (if your animal companions will allow for it). Save the other altar tools and decorations for when you’re actually performing a working, but keep that space as a designated altar even when it isn’t in use.
Use a Drawer
One of the best ways I’ve found to avoid my felines’ penchant for destruction is to choose a table with a nice, deep drawer, and set up an altar in that. You can still have a permanent space, and all you have to do is pull the drawer open to get to work.
Remember to close it gently, though — you’ll keep your altar tools and decorations from rattling and knocking around that way.
Use the Floor
If having things knocked over is your primary concern, why not just put them on the floor to begin with? The fact is, having chairs and tables so far from the floor isn’t a universal thing — plenty of cultures around the world use low tables, floor cushions, or nothing at all.
Designate a space for a floor altar. Set it with a small accent rug and your altar supplies. Place a comfy floor pillow in front of it, and you’re golden.
Use the Outdoors
If your interior space is too thoroughly dominated by your four-legged roommates, consider working outside. It’s a bit less convenient if the weather’s bad, but outdoor altars are beautiful, functional, and, if you work closely with your local nature spirits, immensely powerful.
The only tip I’d offer here is to choose altar decorations that are resistant to walking away. Expensive statues might disappear on you, and shiny crystals may prove irresistible to the local bird population. Materials that aren’t durable enough might end up a bit worse for wear after a few rainstorms and a couple of rounds of sun bleaching, too. Largish stones, garden statuary, candles, and — of course — plants are inconspicuous, not likely to disappear, and can handle being outside.
Watch the Center of Gravity
Few things are as nerve-wracking as a tall, lit candle. This is especially true when that candle is in the same room as a cat. If candles are part of your practice, make sure to invest in some good, heavy candle holders. If you can make sure your candles are sufficiently bottom-heavy, they’ll be less likely to tip over easily. For this reason, I also recommend tealights and jar candles over, say, long, fancy tapers.
The same is true of any statuary or other decorations. Avoid choosing items that have a high center of gravity, because they’re much more likely to tip over if, for example, a very zealous boxer puppy wags his tail too close to your altar.
Invest in Some Museum Wax
Museum wax is what helps keep museum displays in place. It comes in several types, from an opaque, gummy material to one more like clear dental wax, and can help things stay stationary if they get bumped. The only caveat here is that it doesn’t work on an altar cloth — museum wax provides a tacky surface between two smooth finishes, so it won’t really help to keep your statues in place on top of fabric.
Know Your Poisons (They May Not Be What You Think)
I remember watching a video by a crystal worker a few years ago. In it, they mentioned being guided by their intuition to charge a piece of cinnabar(!) using fire(!!). The reason I mention this is that, sometimes, the list of things we know we should keep away from our pets isn’t as long as it ought to be.
For example, cinnabar is an ore of mercury. Some specimens even have droplets of mercury on or in them. Metallic mercury is, itself, not that toxic — organic mercury compounds are far more dangerous — but inhaling heated mercury vapor is a super bad idea. Honestly, you shouldn’t even really handle cinnabar or wear it next to your skin. If you want to work with it, use gloves, keep it in a glass container, and definitely don’t let your pets touch, lick, or play with it. Definitely definitely don’t heat it up.
Some other gemstones contain toxic materials, like lead, arsenic, or antimony.
Plants and mineral specimens aren’t the only sources of a potential poisoning, either. Some pottery — particularly very old or inexpensive stuff — may not be food safe. This means that its paint or glaze can contain toxic minerals that might leach out if you use it to cook with or eat from. While this isn’t usually a super serious concern for altar tools, it can be if you have a pet who tries to sneak a drink out of your altar’s water vessel or steal your food offerings!
The bottom line is, it’s important to know what goes on your altar. If you have pets, it’s equally important to assume that everything is going to end up on the floor or in someone’s mouth eventually.
I can feel it. Unreasonable. Heavy. It settles like an old velvet duvet — familiar and stifling.
“ENNUI,” I say out loud, “I declare an ennui!”
One thing I’ve learned about my mental health is that names are power. If I feel a panic attack coming on, saying, out loud, that that’s what’s happening makes it a tiny bit easier to deal with. This feeling is different, but I name it anyway.
I can always tell when it’s happening. It hits me when I’m in the middle of living life, and it’s like the color’s been sucked out of the world. Looking at interesting or beautiful things no longer inspires me. I don’t want to do anything. Nothing seems enjoyable. A tiny, evil thought in the back of my mind lies to me, telling me that this is it, I’ve reached the world’s level cap, life is about to be a long, tedious slog to the finish line.
I call it “ennui” because it defangs it, at least a little. Mental Floss points out that ennui has “connotations of self-indulgent posturing and European decadence.” It’s an oppressive existential apathy that’s hard to take seriously. Ennui isn’t as weighty as Depression, or as toothy as Anhedonia. If these neurotransmitters are going to attempt to seize power over me, they’re going to have to try harder than that. My absurdity is potent and not easily overthrown.
This feeling is scary, the lies it tells me are frightening. So, I name it something that makes it sound, to me, like the pseudo-deep affectation of a second-rate philosopher. As one of my friend’s uncles used to say, “Are you bored, or are you boring?”
Part of the trouble is that it isn’t enough to not be boring. I’d even argue that very few people are genuinely so. “Sonder” is a wonderful, if little-used, word that the Dictionary of Obscure Sorrows defines as:
[T]he realization that each random passerby is living a life as vivid and complex as your own—populated with their own ambitions, friends, routines, worries and inherited craziness—an epic story that continues invisibly around you like an anthill sprawling deep underground, with elaborate passageways to thousands of other lives that you’ll never know existed, in which you might appear only once, as an extra sipping coffee in the background, as a blur of traffic passing on the highway, as a lighted window at dusk.
With that in mind, being legitimately boring takes effort.
My partner argues that this is neurochemical. It happens too regularly, with no special reason. I could be having a perfectly lovely day, capped off by sitting on a roof and watching the sunset with a slice of Baltimore Bomb pie, and suddenly the pinks and oranges look flat and muddy and the chocolate tastes like glue.
This joy-sucking specter sticks around for a few days, perhaps a week, before being distracted by something shiny and sweeping off to go find another haunt.
Tea leaves thwart those who court catastrophe, designing futures where nothing will occur: cross the gypsy’s palm and yawning she will still predict no perils left to conquer. Jeopardy is jejune now: naïve knight finds ogres out-of-date and dragons unheard of, while blasé princesses indict tilts at terror as downright absurd.
The beast in Jamesian grove will never jump, compelling hero’s dull career to crisis; and when insouciant angels play God’s trump, while bored arena crowds for once look eager, hoping toward havoc, neither pleas nor prizes shall coax from doom’s blank door lady or tiger.
Sylvia Plath, Ennui
I haven’t found a way to make it leave sooner (or, even better, keep it from bothering me at all). Energy cleanses and other rituals help remove some of the background static, but the ennui doesn’t budge. It’s another cycle to understand and endure, as surely as brilliant orange autumn turns to gray winter. The best I can do is give this unwanted guest a name, speak it out loud, and know that it never stays forever.
I mean, some parts of everywhere are weird, don’t get me wrong. Where I grew up, our favorite activity was spelunking in the sewers (I found a stray femur and was almost eaten by geese). When I lived in Delaware, it took me a bit to get used to the way the landscape was broken up — apartment complex, forest, strip mall, pasture, wetlands, wetlands, wetlands, city. In California, the neighborhood was a very tiny island in the middle of fields and pastures. Sometimes, you’d wake up and see all of the puddles shimmering strangely with whatever the crop dusters were spraying the day before. At night, even without seeing any cows for miles, you’d hear their eldritch moos as if they were right in the yard. The songs of coyotes carried for untold distances. Uncanny-valley strangers would come and knock on your door, ask to borrow things, and disappear. It had a very Southern Gothic atmosphere, especially for a place that was emphatically neither.
DC is weird in its own way. I love it here, and there are some extremely cool places and people. The architecture is gorgeous, and you can find some very lovely Victorian-style houses and unexpected details. Still, there are plenty of other areas here that I try to avoid if there’s any way to help it.
This was one of those.
My partner and I were picking up food at this place we found at the beginning of COVID — a little pricey, but they’ve got the best damned catfish po’boy and blackberry shortcake I’ve ever had. (I’d drop the name, but the location is called four different things depending on whether you go there on foot, find it via Google Maps, read their bags, or try to order through a delivery app. Like I said, weird.)
It’s situated in an area that, not unlike the rest of the city, combines historical architecture with modern touches. The thing is, where other areas of DC seem to give the impression that this is done out of necessity, or to fulfill actual human needs, this seems almost malicious. Concrete angel faces stare mutely out over doorways to imposing office and municipal buildings, expressions framed in equally-stony olive branches. At street level, there are stores — jewelers, Nordstrom Rack, a seemingly impossible number of Starbucks cafés — with large, thoroughly modern plate glass windows with the dead, flat gleam of sharks’ eyes.
There’s something about it that strikes me as very calculated. There’s a cultivated air of diversity here, but the kind of diversity that wouldn’t welcome anything that wasn’t a high-end department store, a Starbucks, or an eatery capable of suiting a very narrowly defined sensibility. Some of it is very pretty, but stifling, almost.
On the sidewalks, people sit too close together at outdoor tables. A maskless couple walk by, pushing a leather-clad baby carriage that mommyblogs say could pay a month of my neighbors’ rent.
People live here, too, but everything feels aggressively tailored to those who work here instead. I don’t think they’re the same population. Thinking about it too much makes my teeth itch.
“I need to get the fuck out of here,” I whisper-hiss to my partner, “Because I’ve got maybe ten minutes before this place turns me into an anprim.”
I wonder if this is how fireflies feel when you put them in a mason jar with a stick and a leaf.
Fortunately, getting elsewhere only takes about ten minutes. It might be a strange byproduct of this one self-hypnosis program I sort-of-kind-of-maybe did wrong a few years ago, but the sight of the color green makes my nerves finally start to unknot themselves.
We park and walk a ways. I know my food’s getting cold, but I don’t really care. I take big breaths — there’s smoke coming from somewhere, and it tinges the smell of soil, gently decaying leaves, and damp wood with an earthy sweetness.
We find a picnic table. I always eat fast, but today I manage to finish before my partner’s done unpacking.
“Okay! Gonna go climb on that tree and look for friends!”
He’s grown used to this. I think you kind of have to, after awhile — it’s something that seems pretty firmly baked-in to me. I’m told that when I was very little, maybe four, we had some kind of family function at a beach. My dad says he heard me walking around making tiny proclamations: “Anyone who wants to go find bentures, follow me!” (Then I disappeared into some trees for awhile and he had to peel me off of a sheer clay cliff face, but that’s another story.)
When I was dating one ex-partner, it was a near-constant bone of contention that he never wanted to go exploring with me. I ended up having a lot of adventures with my dog, including finding a broken wooden footbridge that led to nowhere, covered in graffiti that dated back to the ’40s. (I’m almost positive it was Extremely Haunted.)
After that, another ex-partner used to give me survival equipment for every holiday. They figured the odds were pretty good that I’d end up disappearing into the woods some day, and they wanted to hedge their bets on me coming back alive eventually.
In short, I think most of my loved ones throughout history have adapted to the idea of probably seeing me show up on the internet after being mistaken for some kind of pygmy sasquatch.
There’s so much moss. Damp and feathery, sporophytes reaching up on stalks like delicate red threads. I could probably photograph it all day, to be honest — the structures are so beautifully complex when you get close enough.
My partner comes to join me, so we can look for mushy boys.
Some type of Mycena builds a tiny cathedral in a fallen tree. I find another type growing from a separate tree, its cap an almost ghostly translucent white. It’s the only one there, and I don’t have the heart to touch it, see what color it bruises, or try to take a specimen for a spore print.
“Oh, hey,” my partner points to a dead stump. I make a kind of excited pterodactyl noise and get on my stomach for pictures. I haven’t seen jack-o-lantern mushrooms before, but their intense “fuck off” orange and fine, deeply-ridged gills are weirdly, poisonously beautiful.
I can see why they’re often mistaken for chanterelles, though it makes me wonder what came first. Did the chanterelle grow to resemble the false chanterelle and jack-o-lantern mushrooms because it kept it from being eaten, or was it a case of convergent evolution?
It strikes me with some irony that I feel better about poisonous mushrooms than I do about the “Welcome” sign in a shop. Warning orange is easier to look at than shark-eyed windows, I guess.