Environment, Plants and Herbs

Aloeswood Folklore and Magical Properties

I always have a tough time writing this time of year — there’s just not much going on. This is especially true this year, for reasons I probably don’t have to elaborate on.

So, I did what I often do. Before I went to sleep, I asked for inspiration. Something to write about. Anything.

I had a dream of holding a piece of wood that wept golden tears. I held a flame to the raw, jagged edge of the wood, and it released a fragrance that I have trouble describing — woody, of course, but indescribably sweet, floral, and fruity. A mélange of beautiful scents that seemed to come together and complement each other in a way that even the most expert perfumer couldn’t hope to achieve. The dream was so vivid, I could almost feel the textures and scents still lingering in my senses when I woke up.

So today I’m gonna write a thing about aloeswood.

First, Aloeswood vs. Aloe

Aloeswood, also called agarwood, wood aloes, gharuwood, oud, or any number of other names, is not related to aloe vera. Aloe vera is a succulent in the Aloe genus. Aloeswood comes from trees of the Aquilaria genus. It also doesn’t have anything to do with agar, despite the name agarwood. Agar is the jelly stuff used in petri dishes, and is extracted from algae. (It might have sheep or horse’s blood added depending on what microorganisms are being cultured, but no Aquilaria.) Their similar names are just one of those quirks of etymology.

Aquilaria wood does not automatically equate to aloeswood. For the wood of an Aquilaria tree to become aloeswood, it needs to be injured somehow — usually by a boring beetle that digs into its roots or trunk. This injury allows the tree to become infected by Phialophora parasitica, a parasitic fungus. In response, the tree produces a fragrant resin and darker, denser wood. This dark, dense, resin-saturated wood is aloeswood.

Needless to say, there’s a lot of dominoes that have to fall perfectly in place for wood to become aloeswood. First, you need the right kind of tree. Then it needs to get all bit up by a beetle. Then it has to get infected. Then the infection has to be serious enough to warrant a large-scale immune response by the tree. Trees can’t produce aloeswood on a continuous basis, either — it comes from plants that are infected and dying.

It’s probably not hugely surprising that aloeswood is extremely rare. It’s also incredibly expensive. Part of this rarity is due to overharvesting (which is also not surprising), but habitat loss is also a contributing factor. Some varieties of aloeswood are illegal to sell because they come from endangered trees, which has increased the rarity — and therefore desirability — of the stuff that does make it to market.

Sometimes, you can find less expensive aloeswood. This is usually a product of deliberately injuring and infecting trees with fungus. It is also generally not as fragrant or desirable as the naturally-formed variety, and is given a different grade. Natural aloeswood is designated with a #1. Cultures aloeswood is designated with a #2.

Aloeswood Magical Uses and Folklore

Aloeswood is so precious, particular specimens have actually achieved fame. The Ranjatai is the most notable. Its full history is a bit long to get into here, but this particular piece of aloeswood has even shown up in popular culture. Two episodes of the anime series Mononoke (which is visually gorgeous and definitely worth watching) focus on it.

This incense is referred to in ancient Vedic texts for its physical and mental healing properties. Some Ayurvedic medicine for cough and difficulty breathing calls for blending agar powder with honey. When the wood is distilled into oil, the resulting hydrosol is an antacid. A tea made from the leaves — not the wood itself — is said to be very nutritious, relaxing, and helpful for managing blood sugar.

Aloeswood’s scent is said to be an aphrodisiac, and it is included in traditional sexual tonics. Burning a tiny bit on charcoal during sex is believed to improve performance for everyone involved.

In Islam, oud is traditional. It has also been used in Buddhist practices, Christian meditation, and Zoroastrian rituals. It is a spiritually uplifting aroma that releases negativity, soothes stress, raises vibrations, and brings healing.

In ancient Egyptian and Semitic practices, it was used to prepare bodies for burial.

Aloeswood is considered to be ruled by Mars or Jupiter, depending on whom you ask. In western magic practice, it’s generally held to be akin to a “power herb” (like many herbs of Jupiter) and used for boosting the power of any working in which it is used. In the Key of Solomon, is it used to summon good spirits.

Using Aloeswood

Considering its history and primary virtues, using aloeswood in any way that doesn’t allow the practitioner to experience its scent would be a waste. High-grade aloeswood can even release its fragrance through indirect heating, and doesn’t need to be burned completely.

If I were in possession of aloeswood, I wouldn’t add it to anything. As part of an incense burning ritual, I would place a small amount on charcoal, by itself, prior to burning any other incense. Only when the scent has dissipated would I burn anything else. This allows the aloeswood’s full potential to be released, and lets you take advantage of its space-clearing and energy-enhancing powers.

Some modern perfumes contain aloeswood, like Tom Ford’s Oud Wood. These could make a suitable scent for anointing during ritual or meditation.

Aloeswood is a rare, treasured thing, more valuable than gold. It has been regarded as sacred by virtually every civilization that experienced its fragrance — out of a sick, dying tree comes a precious, fragrant wood.

Like sandalwood, this sacred wood is in danger. Ethically-harvested, regulated sources of aloeswood command high prices, but they’re worth it. It would be wrong to obtain a sacred scent through environmentally harmful means. Just like crystals, bones, sandalwood, or any other magical ingredient, make sure your aloeswood comes from ethical sources.

Uncategorized

The Second Birthday

My partner and I listen to a lot of podcasts. He’s into audiobooks, I’m not, but we can generally compromise on podcasts. Besides, over the past year, they’ve been a nice way to have other voices in the house. (Even when some of those voices are telling me about the Ant Hill Kids.)

One of our favorites is Hey Riddle Riddle (seriously, it’s adorable and hilarious). On one of their recent episodes, Erin Keif mentioned the idea of the Second Birthday.

To paraphrase, it’s something like this. You ask people if they’re okay giving up eight months or so to save lives, and most of them will say yes. They’ll endure it without much complaint. Sure, celebrating a birthday in lockdown isn’t much fun, but what’re you gonna do?

Then the Second Birthday happens. That’s when it starts to feel less and less like there’s an end in sight.

I’m lucky enough that it isn’t that likely that I’ll have to spend an actual second birthday in lockdown, but the Second Birthday isn’t so much about actual cake and presents as it is a feeling. To be honest, I’ve had a weird amount of ups and downs for a year where every day has been pretty much the same. Some lows, I can blame on The Ennui. I’ve also had my share of “I’m learning another skill!” “Let’s know languages!” and “CLEAN. EVERYTHING.” highs. Lately it’s different, though.

Part of it might be February in DC. Things have wound down from the doorknob-humpingly ludicrous events of January 6th, but there’s still tension. Tension, and cold, gray weather. As I write this, there’s an abundance of snow on the ground (well, an abundance for here), but the knowledge that it’ll be slimy gray slush by tomorrow still pulls at my mind like a fish hook.

Imbolc was earlier this week for many Neopagans, signaling the start of the lambing season. We’re about halfway between the winter solstice and the spring equinox, in a kind of spiritual Wednesday. Still, while this time might be a drag for people, the turning Earth goes about its business. Daylight hours keep getting longer, snowdrops poke their heads through the chilly ground, and the new lambs come when they will.

Here’s hoping for a happy and peaceful Second Birthday for everyone.

art, life, Neodruidry

Double it.

We’re at the halfway point between the winter solstice and the spring equinox, when things often paradoxically feel even colder and grayer than they did in the middle of winter. So why not have a holiday?

Celebrating Imbolc in a city doesn’t really have much of a resemblance to how it’s done traditionally, especially now. There is no lambing season here, and nobody’s gathering. There’s no well here to pray around, nowhere to offer coins or clooties.

I had a small ADF-style ritual, with a glass prep bowl for the well, a small cauldron for a hearth, and my cypress knee for a tree. I offered a bit of blackberry cobbler, fresh from the oven. to Brigid. I put on some Ani DiFranco and read aloud from Jarod K. Anderson’s Field Guide to the Haunted Forest.

When you were born, your enthusiasm was a red flame atop a mountain of fuel. As you age, the fuel burns low. No one warns you. Yet, with intention, you can learn to feed that warming fire long after the fuel you were born with is ash on the wind. Be kind to yourself. Learn this.

They say cut all the wood you think you will need for the night, then double it. Cut it during the daylight when fuel seems irrelevant. Dead limbs hanging low, sun-dried, hungry for fire. The night can be longer than we expect. The wind can be colder than we predict. The dark beneath the trees is absolute. Gather the fuel. Double it.

“The Wood,” Jarod K. Anderson

I’ve never been much for poetry — writing it, I mean. I recently read an article on creativity whose title I forget. (I was one of the ones that calls everything a “hack” and measures it in terms of boosting productivity.) It was mostly forgettable, but there was one bit that stood out: the idea of creating within limits.

Humans build at right angles. We have a sense of geometry, of corners, walls, inside, and outside. If we have rules to play within, we can create amazing things. Strangely, this gets harder when those limits are removed.

I know poetry has rules, I remember spending days on iambic pentameter, sonnets, and rhyming couplets in school. I remember cutting pieces of construction paper into diamonds, to enforce the structure of a diamante poem, lines meant to swell and taper from top, to middle, to bottom. I think I have a harder time with it, though.

Visual art is easy. I can grasp the limits of color mixing, knowing how to blend things so they don’t become muddy, to work wet-on-dry or wet-on-wet, to layer fat and lean. I can see the underpinning geometric shapes. It’s simpler to perceive. I don’t really get poetry the same way.

So, I offered my baking, played someone else’s songs, and read someone else’s poems.

My offerings were accepted. In exchange, the spirits of nature offered me the things symbolized by The Magician (confidence, creativity, manifestation). My ancestors offered my the things symbolized by Justice (cause and effect, balance, fairness). The Shining Ones offered me… also Justice. It looks like I need a lot of it.

Sometimes, they know me better than I know myself. I know my life hasn’t been balanced lately. I let this lack of balance serve as an excuse for not creating things, largely because I find the prospect intimidating. I haven’t been writing as much. I haven’t been painting as much. I haven’t even been taking as many pictures.

I cracked open a root beer and hallowed the waters of life. I asked the Kindred to bless and imbue it with their blessings and advice, so I might be able to internalize and benefit from it as much as possible.

It’s hard to really find the impetus to kick myself in the ass. To tip the scales and rebalance things. To tap into the confidence to keep from making excuses for myself. Hopefully this helps.

Gather fuel. Double it.

Witchcraft

Is energy manipulation necessary for magic?

Funnily enough, I got the idea for this post a long time ago — when I was reading up on reasons why cognitive behavioral therapy might fail. That, coupled with a lot of books and papers on traditional and folk magic, raised an interesting question in my mind:

Is energy manipulation requisite for magic?

I’ve seen some experienced witches who poke fun at the spells created and posted by younger ones. I’ve even written about raising and directing power myself. Here’s the thing though — none of that shows up in the really old stuff.

Seriously. I can point you to a hundred different old bits of magical folklore and formulae, and not a one will mention anything about raising, directing, or releasing power. Nonetheless, these spells were important enough for the practitioners to pass them down.

If you look at modern spells and rituals, though, some manner of energy manipulation is considered absolutely requisite. If you skip it, or somehow do it wrong, you won’t achieve your goal. You could argue that the old wise women and cunning men raised and directed power without doing so in so many words, or even worked old magic without realizing that that’s what they were doing. If that’s the case, then who’s to say that this power-raising has to be done on a conscious level?

I have a theory that I find pretty interesting. It’s similar to one posed by Phil Hine in Condensed Chaos, when he talks about Spirit, versus Energy, versus Cybernetic models.
I don’t think magic changed. I think we did.

The Guardian posted an article a couple of years ago on the apparent decline in effectiveness of CBT. Oddly enough, this decline might be due to nothing more than CBT’s reputation. When it was first developed, it was lauded as a marvel of modern psychology. This perception may have influenced how effective it was for people who tried it — believing they were learning a miracle cure for their problems, they experienced one. As more and more people went through CBT with less than stellar results, this perception shifted. It’s declining in effectiveness because it no longer benefits from a reputation as a miracle.

This isn’t to say that all magic is a product of the placebo effect (though there are certainly branches of mental magic that rely on it to a degree). I’ve had experiences I definitely can’t attribute solely to that. But, as the article above mentions, a 1958 book by psychoanalyst Allen Wheelis stated that Freudian psychology no longer worked because people had changed. Modern humans were better at self-understanding. They now needed different tools.

The old techniques weren’t completely wrong; they’d just outlived their usefulness.

Oliver Burkeman

Modern humans are better at understanding the physical underpinnings of the world (arguably at the expense of our metaphysical understanding and psychic sensitivity). We have knowledge that would’ve been unthinkable to our ancestors. Learning changes us. We interact with energy — and therefore magic — differently. One of my ex-partners’ grandmothers cured people of worms by snapping a handful of straw over their stomachs. My ancestors did things that, if I posted them to an online grimoire, would have experienced witches laughing and poking fun at them for being ineffective “baby witch” spells.

The act of observing changes the observer as well as the observed, and we’ve done a lot of observing.

Does this mean that one way is better, more legitimate, more powerful? I really don’t think so. As Burkeman says, old tools outlive their usefulness. We’ve changed. Ten thousand years ago, nobody could digest milk in adulthood. (And don’t even get me started on what we’ve done to our jaws.) We occupy and interact with our environment differently — including the unseen world. It’s entirely possible we need to consciously manipulate energy because that’s what we’ve adapted to.

I’m curious to see what shape the future takes.

life

A man, a plan, a sledgehammer.

I’m firmly of the opinion that most people would benefit greatly from cultivating four disciplines: something physical, something linguistic, something creative, and something that pays the bills. It doesn’t really matter what those things are, as long as you’re able to keep at them. Some people can luck out and become multilingual professional musical theater actors and knock out all four at once. The rest of us, not so much. Still, even if you never become fluent in another language, even if your creative endeavors never turn into a profitable side-hustle, it’s okay! The real goal is to improve your physical health, release endorphins, and maintain your neuroplasticity.

Admittedly, I had a hard time finding a physical activity I enjoyed. My body’s been through a lot, between chronic CSF headaches, joint pain, deconditoning, this one weird, twisty rib that pops in and out ever since I got run over, etc. Activities that weren’t boring usually put too much stress on my body. Activities that were gentle enough didn’t keep me mentally stimulated. Then a friend introduced me to shovelglove. (Note: The original page contains some ableist and fat-shaming language.)

The teal deer is this: You get a sledgehammer. You wrap the end in a sweater so it doesn’t heck your floors. For fourteen minutes a day, every day except weekends and holidays, you pick it up and you move it. It isn’t important how you do this — pick motions that feel good and get your muscles working. It doesn’t matter, as long as you’re consistent. If it starts to feel too easy, buy a heavier sledgehammer.

As a concept, it appealed to me for several reasons:

  1. It only requires fourteen minutes a day, and nothing at all on weekends or holidays. That’s barely a blip in my schedule.
  2. It’s really freeform, so it’s hard to get bored. Turn it into an imagination game. Crank up Finntroll or Turisas, pretend you’re building a forest stronghold and fighting off bandits, and the fourteen minutes’ll be up before you know it.
  3. The movements feel useful. I never really enjoyed regular weight training because, while it’s certainly effective, the motions feel repetitive and arbitrary. This feels natural and functional, like my body is learning to do things (row a boat, chop wood, battle alien invaders) that I might actually have to do someday.
  4. You only need two pieces of equipment: a sweater, and a sledgehammer. One, I had in my dresser. The other, I got from a hardware store for like $10.
  5. It can be as intense or as gentle as you want.
  6. It makes me feel like a sexy barbarian.

I also enjoy it because I feel like it’s a good idea to have some familiarity with some kind of melee weapon, even if you’re not actually practicing a martial art with it. My partner has some pretty serious training in a variety of martial arts. I can at least brain a dude with a maul if I need to.

The only piece of advice I’d give is this: Engage your core. If you’re not familiar with the movements you choose, and aren’t careful to protect your back, it’s very easy to wrench something.

Other than that, it’s a fun, effective way to exercise, and one I actually look forward to. I’ve been able to achieve visible results — while before I had the noodly appendages of a heavy reader, my biceps and triceps are larger, more defined, and just generally better at doing stuff.

Plus spending fourteen minutes a day feeling like a Klingon is pretty rad, in itself.

life

Safe(ish.)

Man, where do I even start?

By now, you probably know that a bunch of insurrectionists stormed the Capitol Building, where they were more or less welcomed with open arms by the people tasked with preventing that kind of thing. At least, until some rioters apparently tried to make their way to Pence’s office, resulting in one tragic death. Excruciatingly stupid, but tragic.

We were put under a 6 PM curfew. There’s a state of emergency until the inauguration. People are already talking about disciplining the police, who seemed complicit at worst and mind-bogglingly ineffective at best, and having the national guard walk around the city with guns. The Department of Defense is blaming the police, the police are blaming the DoD, and I’m pretty sure the mayor has some solid ground to blame both. House Majority Whip James Clyburn thinks the whole thing may have been an inside job, as insurrectionists were able to target his unmarked office while ignoring his marked one.

Without doxing myself, I live near where all of this went down. Like, really near. To say this has been a nerve-wracking shitshow would be an understatement. I’m not even going to get into the difference in police response to the insurrectionists vs. BLM, because more eloquent people have already done that many times over, and, to be perfectly honest, I generally don’t express myself well when I’m on the brink of a rage aneurysm. I will say that it has definitely served to underline the idea that police apparently can interact with protesters in a nonviolent fashion, and choose not to.

There were pipe bombs. There was a hastily-constructed gallows.

About half of the population of various pro-Trump venues blamed antifa for staging the insurrection to make them look bad, the other half posted selfies from inside the Capitol Building. Others posted their relatives’ pictures with pride. It doesn’t really matter, because the insurrectionists learned absolutely nothing from other protests and refused to wear masks, so identifying them hasn’t exactly been difficult.

One of my S.O.’s co-workers had rioters on their porch, and had to chase them away with a bat. The rioters said he “better have a gun next time.”

We’re safe here for now. Word is there will be more riots. Even if there isn’t, it means there will be more curfews and guards. Even if the insurrectionists are punished for their actions, it’s the people who actually live here who’ll have to deal with the consequences. (Probably in perpetuity, too, considering the fact that people in airports still have to take their shoes off before they’re allowed on a plane.)

I just… I’m so tired.

life

Isolation Vacation

As it turns out, there’s a buttload more to working from home than setting up a desk.

I think neither my partner nor I would’ve been able to predict the effects it had: worse sleep hygiene, confused cats, a general air of unease, a much harder time separating work and life, working an extra three hours or so a day. The trouble is, if you have to work from home, you don’t get much choice in the matter — you either have a separate space for an office and the kind of mental walls that help you keep your work life and home life separate, or you’re kind of boned.

So we engineered a way to take a vacation in the most low-risk, isolated way possible.

Getaway offers tiny cabins a little less than two hours outside of D.C. It worked out perfect for us — we booked and paid for the cabin online a few months in advance (they fill up quick), picked up some extra provisions during our last grocery trip, filled up on gas when we normally would anyhow, and made the trip without having to stop. Checking in was completely contactless, too. We received a text with the lock code, keyed it in to the number pad on the door, and stepped into a very comfy, charming one-room cabin.

It was pretty much perfect. There was a spacious bathroom at one end, with a large shower and accessibility bars. At the other, there was a big, marshmallowy queen sized bed under an enormous window that looked out onto the woods. The cabin also had a pretty well-equipped kitchen, with a two burner stove, sink, pots, pans, silverware, and dishes. (There was even a bowl for traveling dogs.)

It snowed pretty heavily, which kept us from really taking advantage of the trails or the fire pit. Even so, it was really wonderful being able to snuggle up in bed with a cup of tea and some pancakes, under that huge window, and watch the snow through the trees. The night sky was gorgeous, too — I stayed up late both nights to stargaze.

It was just cozy, you know? Peaceful. Idyllic. No work emails, no calls, no wifi to answer them even if we wanted to. Just the creaking of the trees in the wind, snow, and the stars at night.

It turned out to be a great atmosphere for brainstorming, too. My S.O. and I did some storyboarding, and he wrote a really awesome short story (that will hopefully go up somewhere in the future). I had about a thousand ideas, but didn’t really get into writing or making art while I was there — I took a few notes and made some sketches, but I didn’t want to lose too much time trancing out in a creativity fugue like usual.

Even the way home was pretty. It rained after it snowed, and the nighttime temperature drop made the water freeze around all of the bare trees until it looked like they were covered in diamonds. The sky was blue, and the sun glittered through the trees’ ice-covered claws until even an ordinary road next to a set of power lines looked like something out of Narnia.

Everything was so bright and pretty, in fact, and we felt so refreshed, that we didn’t really want to go home right away. Stopping somewhere populated wasn’t really an option, but that’s okay.

There’re always roadside attractions.

We’re both kind of suckers for them (by which I mean that, if there’s a World’s Largest Something between here and California, we’ve probably stopped by). The biggest windchime? Been there, rang it, had a slice of pie. My S.O. had barely opened his mouth to say he wished there was something cool on the way home before I had a list of things that were a) large, b) unpopulated, and c) at least slightly ridiculous.

And that’s how we found a giant nutcracker. (Well, mostly the head.)

He used to be a paving company’s tar silo. When a paint company bought the property, they painted it and converted it to this fellow. Honestly, the setting had a pretty unique sense of melancholy — there he was, with the approaching clouds just beginning to gray the sky, strewn with unlit Christmas lights, staring unblinkingly out at a McDonald’s across the street.
It felt very Lynchian, though I’ll be damned if I can explain how.

Our appetites whetted by the urge to see more huge things, we next drove back to D.C. to find an actual giant.

Fortunately, it being the middle of the week, during a pandemic, and also December, the place was pretty much deserted. Several areas were closed off, so I wasn’t able to get closer to the sculptures themselves, but the image was still very striking. There he was, this metal titan struggling up from the beach sand, face twisted in anguished effort.
Then, in the background, a lazily turning Ferris wheel.

I don’t know if any of you have played Kenshi, but there’s one particular area that gives me a similar feeling. There’s just something about massive metal hands clawing vainly at the sky that’s so damn eerie. When it’s juxtaposed against a beach and a carnival ride, it’s surreal as hell. I love it.

Now we’re home, snuggled up with two cats who had Many Things to Say about our absence. If you’re reading this the day it was posted, it’s the winter solstice. Keep your eyes peeled tonight for the conjunction of Jupiter and Saturn, and have a happy Yule.

Blog, life, Plants and Herbs

In the conifers.

As much as I love cypress trees literally any time of year, November to early December is my favorite time for them.

Why?

Because they make everything smell fantastic.

Bald cypress trees turn orange and shed their needles in autumn to early winter — as I write this, most of the ones here are, indeed, impressively bald. The result is a carpet of needles mingled with sticky, resinous cones.

The cones are particularly interesting to me. They start out as small, hard green buds. Sometimes you can find them on the ground as early as October, but they don’t really ripen for another month after that. Then, they expand and become almost crumbly, their scaly surfaces separating and falling apart to reveal the fragrant seeds inside. That’s when it’s really nice to find a stand of them and pick up a few from the ground. I live for the smell of the rich, autumn soil, the earthy-spicy-sweet smell of decaying leaves, and the fresh, piney, almost citrusy scent of cypress resin. If I can meet some mushrooms or a neat patch of lichen on the same trip, I’m ecstatic.

(I’m a pretty easy organism to please, all told. I’m pretty much a beetle with different ideas.)

We went and gathered a few cones not long ago. I keep a small jar of them on my altar, right next to a bald cypress knee. The seeds, I sneak into various concoctions — nothing ingestible, though. While cypress trees are generally not considered poisonous, they’re not edible, either. It’s a bit of a bummer, if you ask me. I’d love to be able to have it as a twist on pine tip tea.

After that, we took a trip to the arboretum. Naturally, there’s not much to see this time of year — the flowering dogwoods are not, the lilac is long since asleep, and the oaks and maples are skeletal — but there’s a kind of architectural beauty to a lot of the bare trees. Now is when they get to show off colors and patterns in their bark, the strange, Escher-like twists of their branches, and all of the other things leaves hide in spring and summer.

Most of the conifers, of course, are still going strong. I met a Norway spruce that I found especially pretty — I hadn’t realized that their immature buds look like flowers before, their papery brown petals unfolding like tiny roses.

It wasn’t late when we arrived, but this time of year, the early sunset and angle of the planet slants the sunlight in a way that makes everything look almost surreal. It’s a cold beauty, but I love it.

crystals, Witchcraft

What is Devic Temple Quartz?

Lemurian. Elestial. Devic. Lightbrary.

Buying quartz can be complicated.

Sigil. Starbrary. Garden.

The truth is, most of these terms are just names for physical features of the crystal itself. Some claim that these physical traits line up with the stones abilities or affinities, but this isn’t always the case. One of these terms is “Devic Temple Quartz.”

So, what’s a Devic Temple quartz?

In simple terms, a Devic Temple quartz is a quartz crystal that has internal fractures that resemble seats or shelves. These usually also have some visible foggy wisps produced by trapped gasses or water, often called “fairy frost.”

If the water inclusions are large enough, it might also be called “enhydro.” If it appears to have the outline of another crystal inside, it might be called “phantom.” If it contains inclusions of hematite, chlorite, or other minerals, it might be called “lodolite.” As a word of caution, while lodolite is a common term among gem enthusiasts, it’s not actually a real name. It pretty much just means “stone that has some mud inside.” You might also see these called garden or shaman quartz.

Like I said, there are a lot of words involved. Try not to sweat it too much.

What can it do?

Devic Temple quartz is purported to house light beings, nature spirits, or other allies. Sometimes, if you look at the internal fractures, rainbows, fairy frost, and other features, you can see what appear to be faces, dancing bodies, or humanoid/animal shapes.

Since these crystals are said to act as “houses” for spiritual entities, they’re considered a way to communicate with them in meditation, healing, and so forth. Having one of these guys is pretty much like a direct line to the spirit in the crystal. Some also consider them a way to communicate with faeries and/or angels.

Here’s where my opinion differs…

Honestly, from my experience, all crystals have their own presence. Sometimes, you can perceive it as a kind of electric feeling in your fingers — like the feeling you’d get if you were holding a bird, a firefly, or some other tiny life, afraid of squeezing too hard. This isn’t to say that a crystal is alive the way we typically conceptualize life, but it’s in there. In this respect, Devic Temple crystals aren’t unique.

That said, they can make it easier to access that presence. It’s kind of like the difference between trying to find a hermit in the woods, and walking up to a numbered address with a brightly-painted front door and a sign that says “Free pies, inquire within.”

Sometimes, you can see the physical appearance of a crystal’s presence in the fairy frost, even if it isn’t a Devic Temple crystal. One of my favorite meditative activities is to sit with a a crystal, a macro lens, and a good light source, and look for tiny buddies.

If you look on the left, you might see a faint image that looks like a side-on view of a human skull. What else do you see?

Do you need a Devic Temple quartz? I wouldn’t say that they’re essential — but I wouldn’t say that about any crystal. Ultimately, if a stone resonates with you and is responsibly sourced, pick it up. Don’t buy it because of the names attached to it. Choose what you’re drawn to and discover its unique features afterward, when you have a chance to sit with it.

A cat snuggled up in a hotel bed.
life

I’ve been translating my cat.

I mean, that’s not what’s kept me busy for the past twenty or so days, but it’s a small project I’ve embarked on.

(What did keep me away was an absolute ton of paid writing. It’s hard to write all day and then still feel like I want anything to do with words by the time I’m done. This is especially true when that writing involves hours of researching things like metallurgy and UV-C lighting. By the end of it, my brain is tired and feels like the tail end of a discarded boba tea.)

About a week ago, my S.O. and I found the app Meow Talk. It claimed to be able to record cat noises and translate them into something understandable to humans. I consider myself pretty perceptive when it comes to figuring out what these nerds are trying to say to me, but, admittedly, I was curious. How accurate could a cat recording app really be?

A fangy-toothed cat sleeping upside down.

As it turns out, eerily so. It correctly interpreted all his weird little greeting chirps as “Hello.” He also tells the fridge “I love you,” and responds to my attempts to smooch him with “I AM IN PAIN.” Like I said, accurate. Meow Talk isn’t even paying me for this endorsement. I’m just genuinely surprised and tickled that someone was able to interpret my cats weird little trills and yowls. I haven’t yet managed to capture one of his weird 3 AM TED Talks to no one, or the paid mourner-style wailing he does every time we move a piece of furniture, but I’m working on it.

It doesn’t really work on Kiko, but she primarily communicates through touch. If someone makes an app that can turn little paw-taps into human speech, I’d be all over it. So far, I’ve managed to figure out her “please sit by my bowl and watch me eat,” “smooch my head,” and “roll over, I need to nap on your stomach. It’s an emergency” bops, but she’s developed a very robust punching-based language that defies interpretation a majority of the time.

If you have a cat, especially a vocal one, I recommend messing around with the Meow Talk app. It’s fun, if nothing else, and could be informative. Especially if your cat has a weird attachment to appliances.