life

Ghost Hunting in Cape May

Hello (and a relaxed and happy Pride Month to all of my fellow LGBT+ people)!

I am freshly returned from a brief trip to Cape May, NJ. My Handsome Assistant and I wanted to take some time to be near a beach for a bit, and managed to time things so we would a) have nice weather, but also b) be there during the “off season” when accommodations are generally a lot cheaper and easier to get. Fortunately for us, the stars aligned and we got a very nice room in the Angel of the Sea bed and breakfast.

(And when they say “and breakfast,” they mean it. You want breakfast? There’s fresh fruit, fancy breads, and three different entrées to pick from. Feeling snacky? There’s tea and pastries in the afternoon. Want to relax in the evening? There is wine and mountains of charcuterie. Even after you check out, you’re invited to return later that day to enjoy the amenities.)

A view of a pink Victorian house at night. It has "gingerbread" details and a scalloped roof and is lit with strings of cafe lights.

The Angel of the Sea even comes with its own ghosts. It’s a very old building that was actually kind of… cut in half and transported to its current location. As a result, parts of it aren’t very accessible — think the narrow hallways and steep staircases you get with historic buildings — but are super haunted. As many as four ghosts have been reported to make an appearance there. There’re electrical shenanigans, shaking beds, and mysterious phantom coughs.

A photo of a picture on a wall. It's a very old, oval photograph of a sad-looking woman, in an ornate gilt frame.
Our room even had a complimentary Grandma.

I brought my ghost box, figuring it’d be interesting to mess around with during our downtime. I wasn’t able to get much on the scanner, but we also didn’t experience anything out-of-the-ordinary in our particular room, either.

We did meet a gentleman named Gary who was there with his wife. Gary was a lot of fun — always enthusiastic and down for a conversation, where he’d flit from subject to subject like a hummingbird. We talked about all kinds of things every time we ran into each other: history, haunted places, music, life, death, rehab, and more. He told us a story about someone close to him passing away. Even though this person appeared to have flatlined, they turned their head, looked into the empty doorway of their hospital room, and asked, “Which way do I go?” before they passed.

Even if you don’t find a ghost in your hotel room, places like this are generally home to absolute treasure troves of fun and interesting paranormal stuff. You’ve just got to know where to look.
(Antique stores. The answer is antique stores.)

I have made the weird and occasionally embarrassing habit of going into antique stores, finding someone who works there, and straight-up asking them, “If you had to guess, what object here would you say is the most likely to be haunted and/or carry some kind of terrible curse?”

(If I had to guess, it would be any one of these things. Did you know the original Annabelle doll was a Raggedy Ann? Fun!)

As it turns out, antique stores are usually not super busy and are full of dead people’s stuff. I have yet to meet an antique store employee who has not jumped right in to talking about the weird stuff that goes on there at night. Some are more skeptical, but most of them will eagerly tell you about all of the things they’ve seen or heard.

For example, Antiques Emporia is home to the ghost of a little girl. She rearranges things at night and opens the packaging of vintage toys.

Capt. Scraps in Ocean City has even been the subject of a professional paranormal investigation. Multiple customers, on several separate occasions, have reported the sense that there was something there. Eventually, an associate of one of the owners brought in a full team with EMF readers, scanners, and the works. While investigating, they were able to decipher the words “Henry. Fire. Dog.” It was later discovered that a local antiques dealer named Henry had lost his shop, his dog, and his life in a terrible fire. Some of his paintings ended up at Capt. Scraps, and Henry decided to come along with them!

A painting of a black-eyed woman in a large hat. The background is indistinct and abstract, and the colors are very bright. There's a large red flower in the foreground.
I don’t know if this was one of his paintings, specifically, but something about it really struck me and I had to get a picture of it.

This store also has its share of shadow people, odd phenomena on security cameras, and the general “sense” of a ghostly presence. It’s a really neat shop.

So, while I wasn’t able to get any recordings or paranormal experiences of my own, I did come away with lots of stories.

We also found a lot of shops that were right up our alley. Good Scents has a ton of local art and jewelry, candles, soaps, and incense. (We picked up some soaps, massage oil, and a box of “smokeless” Hinoki cypress Japanese incense.) Best of all, it’s quality stuff — not the kind of smells that immediately make my throat puffy and make me feel like someone is driving nails into my face.

A crude drawing of Dickbutt.
A large black heart.

They also had one of those boards that you can draw on with water. Usually, you use them to write little notes or affirmations. Because I am a giant obnoxious child, I used it to draw a rushed, ersatz Dickbutt. (Don’t worry, I didn’t leave him there for impressionable childs to see. I drew over it.)

Guardian's storefront. There is a chain of copper bells and a wooden image of an angel on the front door.

Guardian is another delightful place to stop if you enjoy metaphysical shops. It’s small, but well-stocked. It has some tarot and oracle decks I hadn’t seen anywhere else, and a very nice selection of books. (I picked up one that I can’t wait to review here.) When we checked out, the proprietor had us choose cards from an oracle deck — we read the affirmations and she had us keep the cards as a little bit of positivity.

We also went on a bit of a hunt for vegan cupcakes. We’d managed to find plenty of meat-, egg-, and dairy-free meal options for me, and tons of fresh seafood for my Handsome Assistant at places like The Mad Batter (like their seitan hot wings and vegan tostadas) and Good Earth (which had an amazing cauliflower steak with chimichurri), so finding vegan restaurants in Cape May wasn’t a problem at all.

Vegan tostadas from The Mad Batter.

The outside packaging of Fruition's Gay Bar. It's primarily purple and depicts several anthropomorphic animals: a bear in drag, a deer bartender in a rainbow scarf, and a small beaver dressed as Rosie the Riveter.

My Handsome Assistant also brought me some fancy chocolates, like the Gay Bar. It’s pretty much an Old Fashioned cocktail in chocolate bar form, and it was delightful. I’ve had boozy chocolate before, but mostly just those little chocolate bottles filled with rum. Nothing really cocktail-inspired and uniquely flavorful like this.

We did eventually find Chocolate Face, a bakery that had vegan cupcakes. The chocolate ones were even oat- and nut-free, so they ticked all of my “weird dietary issues” boxes. This was about twenty minutes from where we were staying, so we decided to poke around at a couple of neat looking shops we’d seen on the map.

And buddy, we were not prepared.

Just look at this idyllic-ass nonsense.

A photo of tiny cottages surrounded by brick paths and immaculate gardens. Lanterns hang from a large tree in the foreground, and the buildings are surrounded by flowers.
Don’t mind Longcat. He is protecting a stranger’s identity.

I thought it was going to be a couple of strip-mall type shops clustered around a parking lot. I was so wonderfully wrong. It was Woodland Village.

It was like… I don’t know. Little fairy cottages. Pricey goods, but not of the cheap, souvenir variety. All of this stuff was high-end. Handmade art and sculpture. Handmade clothing with vegetable-dyed fabrics. Handmade gemstone jewelry. Fine gemstone specimens. Handmade incense. Upscale men’s clothing. Teas. Perfumes. Spices.

Another view of Woodland Village, showing a gazebo, brick pathways lined with flowers and trees, an old-fashioned wheelbarrow full of plants, a set of wooden Adirondak chairs, and a shop in the background.

In Red Door Gallery, I wanted to show my Handsome Assistant a pour-over coffee funnel in a beautiful, glazed ceramic. While I reached for it, I clumsily knocked over a small sculpture of a sheep. We thought he was okay, but, sadly, one of his ears was knocked off in the fall.

Obviously, I was going to bring him home and fix him.

Once we’d finished shopping, we brought our purchases (mostly handmade cat toys for the dummy squad back home). I set the small, broken figure on the counter.

“He was a casualty of the fall, but it’s okay. I can repair him. I have the technology.”

“You… really don’t have to do that,” the proprietor said.

As it turns out, she was the artist who made the little figures. She didn’t want us to buy him just because he was broken, and insisted we pick out a whole one instead. I thought they were cute anyhow, so I did — even though I felt bad about the little sheep with his broken ear.

“Can you fix the broken one?” My Handsome Assistant asked.

“Oh, I don’t know,” she explained. She said she’d likely end up throwing him away.

My Handsome Assistant came over and whispered to me.

“Okay, would you really rather have the broken one, or the other one?”

“I mean… They’re both very cute, but I am going to feel terrible if the broken one ends up in the trash.”

A pair of small, polymer clay sheep in front of a blue glass bottle and a needlefelted Amanita muscaria.

Sure enough, he went back to the cash register and asked if, since the broken one was likely to be tossed anyhow, we could have it.

So, a bit of glue and patience later, I now have two small clay sheep in my kitchen, and a partner who is very understanding of all of my strange bullshit.

We also stopped in Summer Studio Avalon, which I probably could’ve spent all day in. It was just filled with gorgeous, handmade things. (I got a rutilated quartz, moonstone, and pyrite bracelet, some incense, and a pair of flowy teal pants that I am probably going to live in from now on.) There was beautiful embroidery, handmade incense, artwork, accessories, sculptures, crystals, all kinds of the exact sort of things I could happily spend an inordinate of time looking at and/or smelling. The proprietor was also very nice — we got caught up in a conversation about writing things, painting, and the fact that rainbow moonstone isn’t actually a moonstone and is more like a white labradorite.

We also stopped in Northeast Man, mostly for my Handsome Assistant. I found some really nice shirts and a solid cologne (Duke Cannon’s Bourbon, which he bought and I have been sneaking from him because it smells excellent and is the exact way I want to smell forever), but everything fit me in a less “mysteriously androgynous” way and more in a “fourth grader wearing their dad’s shirt” way. Most of the things there weren’t quite my Handsome Assistant’s aesthetic — more “Boat Dad” than “Office Druid” — but there were some really nice, high-quality pieces that suited him very well.

Since the Angel of the Sea is about a half a block from the ocean, we spent some time doing sunset beach walks. The weather was gorgeous, and the slanting golden light made the crests of the waves seem to glow. We also came upon a very large (and extremely deceased) horseshoe crab, which my Handsome Assistant had never encountered before. (He’s from a landlocked state, so his experience with wild marine life is somewhat limited.)

We also kept an eye out for trash, like we always do. There really wasn’t much — I think we picked up two cellophane wrappers and a water bottle, all told. It was very clean, especially compared to some beaches and hiking trails we’ve been on.

Fortunately for my Handsome Assistant, we did stop at the Nature Center of Cape May. We watched gulls and ospreys overhead, listened to the songbirds on the balcony, and admired the large, live horseshoe crabs in the marine lab.

Am I disappointed that we didn’t find any ghosts ourselves? Not really. It would’ve been interesting, but I’m fully satisfied with the experience that we had. Even during the tail end of its “off” season, Cape May was a lot of fun. Woodland Village was great, the abundance of antique stores (and antique store ghost stories) was awesome, the food was fantastic, and the beach was beautiful.

Blog · life

In Pursuit of a Paleontology Enthusiast Antiquarian Vampirologist, Part II

In case you missed the first part of our adventure, you can find it here!

We showed up promptly at 11:10 AM, still unsure of what we were getting into. Once we stepped out of the car, we were almost spoiled for choice — there was a small sculpture garden immediately in front of us, with some very lovely statuary.

A replica of Michelangelo's David, with a small image of a bird hanging in front of his junk.
Including a very modest David.

Signs directed us to the Dinosaur Park, which we eagerly followed. They led us past more statuary, into an area populated by large, brightly colored dinosaur statues. They were kept in their own pens made up of neatly trimmed hedges and garden fences, interspersed with large, bright mushrooms, a vintage carousel horse, and a spiraling labyrinth that ended in a gazebo at the center of it all.

Along the edges, the border between “Dinosaur Park” and “Sculpture Garden” got a bit blurry.

Outside of the Dinosaur Park, the grounds were immaculately kept and full of flowers. There were ponds covered in bright pink and white water lilies, and bushes spangled with flowers and butterflies.

A pair of small snail statues on a stone sphinx throne surrounded by bright purple flowers.
Also snail royalty.
A close-up of a similar throne. It features ornate arms supported by a pair of small sphinxes.
A closer look at a similar sphinx throne in a different material. I’ll be honest, I kind of want one to put under the maple tree in the back.
A bamboo forest with a pair of Imperial lion statues in front.

Everywhere we walked seem to have something new to look at, to an almost disorienting degree. I know the outdoor area wasn’t that big, but we did manage to get turned around here and there.

There was even a large stand of bamboo guarded by a pair of stone Imperial lions.

What was most interesting, however, was the mix of materials. Some of the more whimsical statuary was made of cast concrete or gaily-painted fiberglass, but many of the larger pieces were carved stone. Take a close look at the pair of busts in the image below — all of the armor, clothing, et cetera is made of carefully fitted-together stone. None of it is painted. There were pieces in alabaster, marble, quartz, and granite, all of them uniquely beautiful.

A dolphin fountain flanked by a pair of bronze horses and elaborate busts.

Once we were done getting lost in labyrinths and jumpscared by the occasional clown statue, we headed inside. The bulk of the antique shop was in a large barn, about half of which was taken up by a workshop.

The first floor was a dinner party set for invisible guests. The walls were hung with heavy curtains in silk and velvet, punctuated with carved stone statues. These, like the busts above, wore outfits of carefully selected and fitted-together stone, cut and carved so their graceful limbs could show through.

A pair of bronze eagles battle in front of a panel of frosted glass painted with ornate flowers and botanical motifs.

Of to the side, there was a selection of brass candelabras, smaller sculptures, and stained glass.

In the center, there was a large, broad staircase. The top was dark — dark enough that I wondered if it was actually off-limits. There didn’t really seem to be anyone there other than us and a handful of employees… did anyone even know we were there?

Eventually, our curiosity got the better of us. We quietly crept up the stairs, though there were no lights and the temperature seemed to grow more oppressive with every step.

I was very glad we had.

The top floor of the barn was absolutely full of treasures. Carved four-poster beds hung with silk brocade. Velvet chaises. Oil paintings the size of my bedroom, framed in gold leafed baroque style. Panels upon panels of stained glass.

A large oil painting, marble bust, velvet sofa pinned with a white lace antimaccasar, and heavily adorned cabinet.
Everything in this picture is about two hundred years old and worth more money than I will ever see.

The only light came from a large window at the front. The sunlight streamed down through it onto a grand piano, illuminating dust motes that sparkled like glitter. There was also a pair of life-sized sculptures holding massive, branching lamps of brass and crystal.

A photo of the description above -- ornate furniture in silhouette against a large window, flanked by sculptures supporting large light fixtures. Some of the chandeliers on the ceiling are adorned with faux butterflies.
This is probably my favorite picture I’ve ever taken of anything.

At one point, I think I saw the owner. He passed through the room swiftly, so I didn’t get a good look — just a glimpse of his back and a faint whiff of oakmoss and vetiver.

My Handsome Assistant attempted to track someone down, and did manage to talk to one of the employees for a bit. According to her, the Vampire and Paranormal Museum is in the process of reopening in one of the houses on the premises. The owner was very secretive about it, however — he was remodeling the whole interior, and hadn’t allowed even his closest friends to see it. It wouldn’t be open until later this year, most likely in October or November.

Even though we didn’t get to speak to the man himself, or see the actual museum, we were satisfied. To be honest, just browsing the antiques felt like looking at a clandestine immortal’s collection of stuff, so I left feeling like I’d been to a vampire museum anyhow.

When we went to leave, a peacock prevented me from getting in the car. It was both completely unexpected, yet entirely appropriate. I guess if you’re going to have a Dinosaur Park, you need one or two alive ones.

A large male peacock stands between the viewer (me) and a silver car.

All told, 10/10 experience. Would sidequest again.

Just for fun · life

Sometimes I have trouble following the plot of my own life. (Or: In Pursuit of a Paleontology Enthusiast Antiquarian Vampirologist.)

I’m not really big on the whole Manifestation thing, I’ll be honest.
That aside, I have noticed that, when I’m starting to feel like life is a little same-y, the universe is extremely willing to help. And by “help,” I mean send me on some very strange field trips.

I wasn’t the only one who’d been feeling like life was getting routine. My Handsome Assistant works very hard, and very long hours. It’s not a physically laborious job, but it’s the kind of work that’s both mentally demanding and continues to be a whole Thing around the clock. He even has trouble taking time off, so he finally said that enough was enough, blocked off some PTO, and we scheduled a small vacation.

I suggested New Hope, PA, because it’s the kind of thing that we both find fun and relaxing: No itinerary, lots of art and history, lovely architecture, ghosts, nature, and tasty food. It’s immediately adjacent to Lambertville, NJ, too, which is ludicrously packed with antique shops and art galleries. We could wake up whenever, go wherever, and no matter where we decided to walk, there was pretty much guaranteed to be something neat to do, see, or eat.

The vacation part is a lovely and relaxing story for another time.

While Handsome Assistant was in the shower, I was sitting on the floor of the hotel, charging my phone and idly tapping through a map of the area to see what looked like a fun destination for the following day.

That’s when I saw it.

A screenshot of Google Maps, prominently showing VAMPA Vampire & Paranormal Museum.

“VAMPA Vampire and Paranormal Museum.”

“Permanently Closed.”

"My disappointment is immeasurable and my day is ruined."

I took a screenshot and sent it to him for shits and giggles. There’s always something darkly funny in simultaneously discovering something cool, and that it has ceased to exist.

He texted back. We laughed it off. I pointed out a neat antique shop we could look at, and my tiny disappointment was forgotten.

Little did I know that VAMPA had continued to live in his mind.

A corked glass bottle full of bones. A tag tied to the neck says, "Peacock Bones $45."

Unbeknownst to me, the antique shop that I’d wanted to go see was located in a very large building — large and filled enough to make Google Maps get a little complicated. Locations were hazy estimates, at best. I didn’t mind, though. Everything was in walking distance, and what was an extra block or two?

Inside was a veritable treasure house of weird. The air was filled with the vaguely vanilla scent of old books, naphthalene, leather, and straw. I looked through strings of antique snake vertebrae, preserved hornets’ nests, bottles of peacock bones, old containers of patent medicine (some still half-full of highly questionable powders and jellies), and hand-colored German anatomical prints. Handsome Assistant and I got separated at some point, but I wasn’t too worried.

A display of colorful parasols suspended upside-down from a ceiling.

The “shop” was less of a shop than it was a marketplace. Each floor had its own set of vendors, including one guy who’d collected a very varied and impressive selection of crystal specimens. There were lovely slices of amethyst geodes, palm stones of every description, fossil specimens, spheres of every color, and even a large piece of alabaster marked, “Great for sculptors!”

I came away with a polished freeform moss agate and a sunstone palm stone, while Handsome Assistant chose a small sphere of tiger’s and hawk’s eye. (The gold of the tiger’s eye and blue of the hawk’s eye swirl together like the atmosphere of some strange and distant planet, shifting in the light in a way that’s honestly kind of mesmerizing.)

As we left, he turned to me in excitement.

“So,” he began, both handsomely and assistantly, “The vampire museum used to be on the top floor of this place.”

“Really? Huh,” I replied, neither attractively nor helpfully.

“Apparently the guy who owned it closed the museum, sold some of his collection, and moved up the road. He has an antique shop with dinosaurs in the front. You know what that means.”

I did not know what that meant.

“It means,” he continued as we walked, “That there’s more of his collection that he didn’t sell yet.

After that, there was lunch and ice cream sandwiches. We got patio seating immediately next to a graveyard. I had a long and interesting conversation about veganism with our server. We were attacked by wasps. The whole afternoon got kind of hazy after a certain point.

Anyway, this is how we found ourselves in the car in the late afternoon, on the hunt for a large estate full of Dinosauria.
There was only one problem: We had literally nothing else to go on. No names, no street address, nothing.

“Just drive up the road. You’ll see the dinosaurs.”
That was basically it.

I think we drove on for about forty-five minutes with no luck. There was a museum, but it was neither vampiric, paranormal, nor paleontological, and thus of little interest to us at that moment. (There was also a really neat mossy green house with black trim. That was mostly interesting because we have to replace our siding soon and house exteriors are the kind of thing we’ve found ourselves starting to care about, largely against our collective will.)

I don’t know what compelled us to take a different route. It was probably just a desire to find a more scenic road back to the hotel. But that was when we saw it.

A very weathered wood sign near the road, simply marked “ANTIQUES.”

And an allosaurus.

A large statue of an allosaurus, in the midst of a garden.

We pulled into the gravel driveway cautiously. (I’m not sure why, it just seemed correct.)
The door was locked, its hours prominently posted.

“Wednesday, 11 AM.”

Handsome Assistant and I looked at each other. We knew now what we had to do.

art · Just for fun · life

Curséd/haunted objects I saw this weekend, ranked.

My partner and I go antiquing pretty frequently. This isn’t necessarily out of any real desire to collect antiques, so much as it is the desire to support the local economy and also own furniture that isn’t particleboard. Some antique shops are very curated and fancy, while others are more… eclectic, shall we say.

Anyhow, if you’ve ever spent enough time in an antique shop, you’ve probably passed by at least one thing that you could absolutely picture holding the soul of a tubercular Victorian child. These are those things, ranked in order of how likely I think the potential ghost inside is likely to go all Annabelle on someone:

5. The Blinded Bride.

A chicken wire sculpture with a blindfolded silver face and silk roses.

This is actually just a rad piece of outdoor sculpture, to be honest. It’s eerie, it’s evocative, and I love it. The artist who makes them, Shara Banisadr, is very cool. She was neatening up the area around the sculptures, and talked to us briefly about her work. Their faces are made of old vinyl records!

This wire lady also has friends:

A similar sculpture, of a silver-faced woman holding a wire child on her lap.

I could probably see this particular piece in a setting like Bloodborne or Elden Ring, but I really think she’s more likely to be kind of sad versus actively murderous. Unless you try to hurt her or steal her blindfold, then she would absolutely wreck you like a Mike Tyson made of fishhooks. Truly the luxury model of potentially haunted object. I’m absolutely going to invest in one of these ladies once I have sufficient outdoor space (or a window that directly faces my neighbors, either or). I feel like they’d be good companions for all of the Isabellas.

Murderghost probability: 10%

4. The Courteous Wig Stand.

A wig stand with large eyes and painted flowers.

There’s something about her I dig. She reminds me of the women in 50s ads for housewares. The small, vague smile and wide eyes speaks of a kind of brittle, exhausted politeness. It’s the same expression and energy I had back when I worked retail, and I can appreciate that.

She’s probably not malevolent. You’re much more likely to turn around in a darkened hallway and see her hovering four feet in the air behind you, glowing faintly and slowly rotating. Somewhere, a distant, echoey voice like wind over an open grave will whisper, “Do you need help finding anything?”

There’s no saving you if she runs out of Valium, though.

Murderghost probability: 30%

3. The Fading Child.

A drawing of a child in reddish-brown conte crayon.

There’s a certain sad-yet-focused intensity in this kid. The level of detail in their face, coupled with the strokes almost the exact color of dried blood, creates an image that’s at once aesthetically pleasing and extremely unsettling. They look vaguely displeased about something, and I’m pretty sure they think that’s my fault.

This is basically the exact kind of picture you see as a haunted object in movies. A mansion burns down, or cracks and crumbles like the House of Usher, and all that’s left is this kid. Staring. Subtly frowning. Lightning cracks the sky, and their brow furrows ever so slightly.

I don’t think the child is likely to murder anyone directly, but I refuse to believe that they haven’t been associated with a series of “accidents.”

Murderghost probability: 50%

2. The Tragic Hound.

A painting of a sad looking dog on a pink background. The picture is placed behind a basket, several large spools, and a wooden box.

Don’t let the puppy eyes fool you. This is absolutely haunted, and absolutely just waiting for you to let your guard down.

See the hints of red in the eyes? The way they seem to follow you around the room?

This painting absolutely houses some kind of Shadow Hearts-style monster. Like, I don’t know, an evil mailman. Notice how even the shop owner placed him behind several objects. It’s because they know. Do not gaze upon the full glory of the tragic hound, lest it pursue you for an eternity.

Murderghost probability: 70%

1. The Dapper Man.

A painting of a man in a jaunty blue uniform. The background and frame are both bright pink. The man's large, round eyes seem to bore into one's soul.

HE’S SEEN YOU.

Murderghost probability: Run.

art · Blog · life

This is Isabella, Isabella, Isabella, Isabella, Isabella, Isabella, Isabella, and Isabella.

Saturday, my partner and I went antiquing. Though I keep a short running tab of vintage/antique objects I’m looking for (brass candlesticks, salesman’s cases, small wall mirrors, picture frames), we shop like magpies. Our collective style could best be described as “maximalist,” but I feel like that implies a level of cohesion and intention that your average corvid probably isn’t capable of. The only unifying theme is “stuff we like.”

Usually, it goes like this: One of us sees a thing. They point it out to the other. We name it and freewrite an entire backstory for it. If it evokes enough emotion, we’re probably going to try to bring it home. We’ve done this with everything from live plants to… Well, I’ll get to that in a minute.

There’s a spot in Kensington, MD, that’s antique shop upon antique shop. It’s one of the places we like to hit up periodically, just to walk around and browse. Sometimes we find some neat stuff, sometimes we just end up making up stories about the people in old portraits. It’s always a lot of fun either way.

When we walked out of one shop, we passed through a small alleyway between two buildings.

“Stopstopstop. Don’t move,” my partner said.

“What?”

“There’s a boy,” he pointed to a little huddled mass of feathers. It took me a bit to spot him: a house sparrow, sitting in the middle of the pavement. Something looked off, so I approached him cautiously. When he didn’t try to fly away, my heart sank.

“I… don’t think he’s gonna care if I move.” I bent down and held my hand out. He startled a little, but still didn’t fly. I gently stroked the patch of black on his chest and looked him over — ruffled and broken feathers, one eye squinched shut, a skinned patch on the top of his head, and a dazed expression.

We crouched near him as we called wildlife rescues, though I had my doubts. Sparrows aren’t native here; they’re even considered invasive agricultural pests. Would a rescue even take him in? If they did, was there anything they could do? Nobody picked up at the various numbers we called. I also knew it’d be a bad idea to try to take him home and nurse him back to health, especially without a way to keep him secluded away from both of the cats.

Carefully, I scooped him up in my hands and carried him to the shade of a bush. It wasn’t much, but there were bugs to eat there and he’d be out of the noon sun.

A bit later, when we were eating at deliCLUB, I jumped up. I had a water bottle and a small quantity of yellow cake with buttercream… Not ideal, but maybe it’d do.

“I have an idea,” I said.

A few minutes saw us on our hands and knees under the bush, carefully pouring out some water into a bottlecap and breaking off tiny bits of cake. I knew it wasn’t the optimal diet for an animal that’s doing poorly, but I know I also probably shouldn’t’ve eaten my weight in lime gelatin when I was in the hospital, either. We nestled the bottlecap in the mulch around the bush’s roots, and made a little pile of cake crumbs (sans frosting) beside it. I didn’t see him try to eat or drink, but I didn’t want us to hang around too long, either. He’s a wild animal, scared, vulnerable, and possibly in pain. No matter what we did, our presence was going to cause more stress to an already highly-stressed creature. Without a better way to care for him, we left him in the safest place we could find with a little food and water.

Torn about the decision to leave him behind, we finished up and headed home. This time around, we’d picked up a silk top, a floor-length silk robe, ornate chopsticks, a typesetter’s drawer, and a folding screen.

I mean, I guess it’s a folding screen, though the words “folding screen” don’t really do it justice. It’s a hand-carved, painted screen made to look like medieval art. We don’t know if the artist intended to depict a specific person or just generally evoke the feel of medieval-to-Renaissance period portraiture, but they repeated her carved portrait eight times. I call the woman Isabella, because she just looks like one to me. In some, Isabella looks amused. In others, bemused. In one, vaguely sad. In a couple, angry. These don’t seem to be intentional on the artist’s part, just the product of subtle differences in the grain of the wood. The natural texture produces a furrow in a brow, the subtle downturn of a lip, or the course of a tear down a carved cheek.

In the corner of the antique shop.

My partner spotted the screen in a corner and pointed it out to me. I was immediately intrigued. (Baffled, also, but mostly intrigued.) I’d never seen anything like it before and doubted I would again. It gave me flashbacks to this fantastic couch I’d spotted in a thrift shop once years ago– a Neo Rococo-style chaise longue in polished mahogany, upholstered in ochre crushed velvet with silk fringe. It was the most beautifully bonkers piece of furniture I’d ever seen, and I’ve always regretted not buying it when I could. I didn’t want that to happen here.

A little haggling and a few minutes of rearranging things and figuring out how to fold seats down (why are the levers in the trunk?), and we were headed home with the screen in the back.

When it comes to objects I own that are potentially haunted, I feel like this has the highest probability. As soon as we got it/her/them home, I immediately lit some incense and fumigated everything we brought in.

“If this object houses a malevolent spirit, you need to get the fuck out. If you’re cool, you can stay. Repeat: No evil spirits. If you’re neutral or benevolent, you can hang. If not, leave my house now!”

I keep hearing footsteps and the rustle of taffeta, but I’m sure it’s nothing.

More pictures once I’ve placed their majesties in a suitable spot.